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Becoming an Artist: How to Make Art Like a Human by Embracing Failure, Discovering Your Creative Voice & Finding Joy in the Process

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Scott Christian Sava

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“I think the best thing I’ve learned to do is to listen. Listen to marginalized groups. Listen to people with disabilities. Listen to women. Listen to people of color. Listen to people in foreign lands. Listen to people who worship differently than you. Listen to people who love differently than you. Listen to people who are suffering. Listen to people who just need someone to hear them. Listen.”

InspirationalArtSelf HelpEncouragement
Book:Becoming an Artist: How to Make Art Like a Human by Embracing Failure, Discovering Your Creative Voice & Finding Joy in the Process
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“No one has the right to tell others what to do. Not in their art. And absolutely not in their personal lives. We should never tell others how to act. How to dress. How to talk. How to love. How to worship. There is so much beauty in our diversity. In our uniqueness. Our job as artists is to celebrate that. To see the beauty and joy in what makes us different.”

InspirationalArtSelf HelpEncouragement
Book:Becoming an Artist: How to Make Art Like a Human by Embracing Failure, Discovering Your Creative Voice & Finding Joy in the Process
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“Art is creation. It’s taking a blank page and turning it into a poem. Stretching out an empty canvas and breathing life onto it with the stroke of a brush and a swath of paint. It’s sitting before a quiet piano and wak¬ing it up with a song. Where there was nothing, an artist creates some¬thing. Something beautiful. Thought-provoking. Tragic. Controversial. That’s what artists do: We create.”

InspirationalArtSelf HelpEncouragement
Book:Becoming an Artist: How to Make Art Like a Human by Embracing Failure, Discovering Your Creative Voice & Finding Joy in the Process
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“This shell was a thing different from me but also the truest part of me, the explanation of who I was, my portrait translated into a rhythmic system of volumes and stripes and colors and hard matter, and it was the portrait of her as she was, because at the same time she was making herself a shell identical to mine and without knowing it I was copying what she was doing and she without knowing it was copying what I was doing, and all the others were copying all the others, so we would be back where we had been before except for the fact that in saying these shells were the same I was a bit hasty, because when you looked closer you discovered all sorts of little differences that later on might become enormous.”

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Book:Cosmicomics
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“Nature propels the philosopher into mankind like an arrow; it takes no aim but hopes the arrow will stick somewhere. But countless times it misses and is depressed at the fact… The artist and the philosopher are evidence against the purposiveness of nature as regards the means it employs, though they are also first-rate evidence as to the wisdom of its purpose. They strike home at only a few, while they ought to strike home at everybody—and even these few are not struck with the force with which the philosopher and artist launch their shot.” —Gilles Deleuze & Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, Treatise on Nomadology—The War Machine, p. 377; originally: Nietzsche, Schopenhauer as Educator, in Untimely Meditations, trans. R. J. Hollingdale (Cambridge: Cambridge University Press, 1983), pp. 177–178. Archive.org”

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Author:Gilles Deleuze, Félix Guattari
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“Let me pull back the curtain to reveal the wizard and the machinery. As someone who writes experimental fiction, hybrid memoir, and poetry, and who translates contemporary German-language literature, I hope this book shows you can be a writer and have a laugh, be a laugh. And have friends. Have your cake and eat it, too. It's like the backlash against method acting--you're not your character, why not just act.”

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Book:Goblinhood: Goblin as a Mode
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