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Quote by Susan Fletcher

Work

The Highland Witch

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Author

Susan Fletcher
Susan Fletcher

Susan Fletcher is an American novelist born in 1979. Her works are acclaimed for their unique narrative style and profound insights into human nature. more

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“The attempt to separate Lowland from Highland Scotland ignores the extent to which Lowland Scots are the descendants of Highlanders, and how many Lowland Scots, like Nan Shepherd, made the country's mountains the focus of their spiritual aspirations. 'Highlandism' is not simply the ersatz adoption of a stereotypical version of Scottish culture which is entirely unconnected with the reality of modern Scottish life: the Highlands are both the geographical and the historical backdrop with which 'Lowland' Scottish culture interacts.”

“In a flash it came to me - might not people who were forced to spend their working hours between walls like to hear about what went on in a hill-top croft, of how it was possible to get an immense amount of fun and satisfaction out of lifting loads of mud into a cart, even though your boots were leaking and you knew there was not enough in the kitty to buy another pair? Would they like to know about the way light could stream down a blue hillside on a spring noon, how a lark could suddenly leap into a pale, washed skye after a night of storm and make the air ring with song, of how it was possible to get by every sort of difficulty as long as there was this knowledge that you were all in it together, this solidarity with rock and sun and bird? I believed they would.”

“The pipe-music filled the room with sound, until it seemed that the throbbing walls must burst asunder- or the very roof of the inn fly off, to release the pressure. The candle-light pranced around the room in a crazy reel of will-o’-the-wisps, distorted by the clouds of dust melting down from the ceiling like Hebridean mist. The Highlanders looked at each other in wild surmise, then started smashing tankards against the walls in time with the swirling strains of music, sending ale cascading up into the air, spattering the ceiling and soaking the revellers’ hair and plaids.”

“Spring in the hills would confront the greatest artist with too vast a panorama. I doubt if he could ever capture it. For Spring there is more than colour; it is music and scent. The burns literally hum down the hillside, the trees have rhythm in their shaking. The smell of Spring in the hills is a blending of peaty thickness, bracken-mould, flowers' spicyness, and clean, quick purge of the wind. Down in the hollows anemones, bereft of smell, gleam in pale patches.”

“Badenoch encapsulates the dichotomy of the sporting estate. Rich southern incomers provided much-needed income and jobs, a new economic lifeline in difficult times, while at the same time riding roughshod over the last remnants of the traditional farming economy to suit their own interests - another blow to a way of life that had survived and evolved over countless generations.”