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Quote by Héctor Abad Faciolince

“Jon me enseñó qué quiere decir nostalgia. Nostos en griego, me dijo, es 'regreso', y algia, 'dolor', así como mialgia es dolor de los músculos, así mismo nostalgia es el dolor del regreso. Todos los viajes, todos mis viajes, son viajes de regreso, así dijo un poeta de mi tierra".”

Quote by Héctor Abad Faciolince

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Héctor Abad Faciolince

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“Until then her view of time was the present moving forward and devouring the future; she either feared its swiftness (when she was awaiting something difficult) or rebelled at its slowness (when she was awaiting something fine). Now time has a very different look; it is no longer the conquering present capturing the future; it is the present conquered and captured and carried off by the past. She sees a young man disconnecting himself from her life and going away, forevermore out of her reach. Mesmerized, all she can do is watch this piece of her life move off; all she can do is watch it and suffer. She is experiencing a brand-new feeling called nostalgia.”

“an emigres artistic problem: the numerically equal blocks of a lifetime are unequal in weight, depending on whether they comprise young or adult years. The adult years may be richer and more important for life and for creative activity both, but the subconscious, memory, language, all the understructure of creativity, are formed very early; for a doctor, that won't make problems, but for a novelist or a composer, leaving the place to which his imagination, his obsessions, and thus his fundamental themes are bound could make for a kind of ripping apart. He must mobilize all his powers, all his artists wiles, to turn the disadvantages of that situation to benefits. [...] Only returning to the native land after a long absence can reveal the substantial strangeness of the world and of existence.”

“We cannot turn back the clock and relive cherished pastimes. We move beyond our origins. A person must make their way in an evolving social, political, and economic world order. We must not be too quick writing off the influence of our prior experiences, because the long tentacles the past remain vibrant strands within us. While the past does not cast our future in stone, its durable mold shapes our present. The ingrained strumming of our personal histories, sentimental or otherwise, also portents what might come along in our future.”

“Борьба за "прекрасное прошлое" преграждает [путь] любым возможностям мыслей о будущем. Как сварливая жена и мать, "отдавшая лучшие годы" другому времени, мы не способны понимать настоящее и не хотим думать о том, что ждет нас дальше.”