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Quote by A. E. Stallings

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A. E. Stallings
A. E. Stallings

A. E. Stallings is a renowned American poet celebrated for her lyrical and intellectual poetry. Born in 1968, she has published several poetry collections that have received critical acclaim. Her work frequently delves into themes of love, history, and the human experience, merging classical forms with contemporary sensibilities. more

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“The Poet Loses his position on worksheet or page in textbook May speak much but makes little sense Cannot give clear verbal instructions Does not understand what he reads Does not understand what he hears Cannot handle “yes-no” questions Has great difficulty interpreting proverbs Has difficulty recalling what he ate for breakfast, etc. Cannot tell a story from a picture Cannot recognize visual absurdities Has difficulty classifying and categorizing objects Has difficulty retaining such things as addition and subtraction facts, or multiplication tables May recognize a word one day and not the next”

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Book:In a Small House on the Outskirts of Heaven
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“When you are a poet, you need to be saying something that cannot be said by other people. Poets don't necessarily need to be first-rate readers of poetry, because when they start to write poems they already have what they need, they've been living it. When I tell my story--to anyone--it's as if I'm reciting poetry.”

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Book:Things You May Find Hidden in My Ear: Poems from Gaza
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“April is Poetry Month, the Academy of American Poets tells us. In 2013 there were 7,427 poetry readings in April, many on a Thursday. For anyone born in 1928 who pays attention to poetry, the numerousness is astonishing. In April of 1948, there were 15 readings in the United States, 12 by Robert Frost. So I claim. The figures are imaginary, but you get the point.”

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Book:Essays After Eighty
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“At the very least, it was extraordinary in offering up a very real bequest to later poets of a multi-layered hero figure, practical lessons in poetic direction and conviction, guidance in poetic technique, and, for some, a treasury of quotations, images and impressions. When aggregated, the seed capital of the poem is considerable. All this may be true but there remains a suspicion that this verdict would underplay the depth of the poem's heritability: perhaps a more accurate hypothesis is that The Minstrel had a pervasive spiritual and intellectual influence on other poets, even to the point of inspiration. Nothing like it had been written before and there are signs that it catalysed prospective poets as they grappled with their own poetical identities and sought to make a living from their talents.”

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Book:Scottish Literary Review, Autumn/Winter 2025
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