Quotessence
Home / Quotes / Quote by Kurt Vonnegut

Quote by Kurt Vonnegut

“Rumfoord had known that Constant would try to debase the picture by using it in commerce. Constant's father had done a similar thing when he found he could not buy Leonardo's "Mona Lisa" at any price. The old man had punished Mona Lisa by having her used in an advertising campaign for suppositories. It was the free-enterprise way of handling beauty that threatened to get the upper hand.”

Quote by Kurt Vonnegut

Book:The Sirens of Titan
Create image

Work

The Sirens of Titan

A satirical and philosophical novel that delves into the lives of various characters, including a dictator and a billionaire, as they navigate the complexities of the universe and their own personal struggles. more

Author

Kurt Vonnegut
Kurt Vonnegut

Kurt Vonnegut was an American writer known for his unique humor and profound satire. His works often explore themes of war, humanity, society, and politics. His most famous works include 'Slaughterhouse-Five' and 'Cat's Cradle'. His writing style has been widely appreciated by readers and has had a profound impact on literature. more

You May Also Like

“Hopefully, you will glimpse something of your own life’s journey and with Elemental’s Power of Illuminated Love, possibly recognize and celebrate something you had not been able to recognize or celebrate before.”

ArtCreativitySelf EmpowermentPositive MotivationNational Poetry MonthWorld Poetry DaySavannah GeorgiaAberjhaniSavannah ArtistGift BooksJepson Center For The ArtsTelfair Museum
Book:Elemental: The Power of Illuminated Love
Create image

“He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, "The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist.”

ArtPoetryLanguageTurner
Book:Turner
Create image

“[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis.”

ArtModelsTraditionMeaningModernismFallacyAssumptionsAvant GardeArt HistoryTrope
Book:The One and the Many: Contemporary Collaborative Art in a Global Context
Create image

“نحن لا يمكن أن نجبر فناناً على أن يعمل بخلاف ما تمليه عليه طبيعته وإلا كنا نجبره على التصنع والتكلف، وهذا شر لا يمكن أن يؤذي الأدب والفن، والمسألة في غاية البساطة مع ذلك، فإذا كنا نتيح للفنان حريته كاملة، فنحن أيضاً أحرار في تقييمنا للأعمال الفنية، فلا نمنح تقديرنا إلا لمن يقدم لنا العمل الفني الكامل، وهو العمل الفني الرفيع فنياً النافع إنسانياً واجتماعياً”

ArtArtistBooksCriticismCriticsWriter
Book:ملامح داخلية
Create image