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“This, I think, should answer why I have more often than not written stories which, for a convenient label, are called science fiction. There are few literary fields, it seems to me, that deal so strikingly with themes that concern us all today; there are few more exciting genres; there are none fresher or so full of continually renewed and renewable concepts. It is, after all, the fiction of ideas, the fiction where philosophy can be tinkered with, torn apart, and put back together again, it is the fiction of sociology and psychology and history compounded and squared by time. It is the fiction where you may set up and knock down your own political and religious and moral states. It can be a high form of Swiss watch-making. It can be poetry. It has resulted in some of the greatest writing in our past, from Plato and Lucian to Sir Thomas More and François Rabelais and on down through Jonathan Swift and Johannes Kepler to Poe and Edward Bellamy and George Orwell....” — Ray Bradbury

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This, I think, should answer why I have more often than not written stories which, for a convenient label, are called science fiction. There are few literary fields, it seems to me, that deal so strikingly with themes that concern us all today; there are few more exciting genres; there are none fresher or so full of continually renewed and renewable concepts. It is, after all, the fiction of ideas, the fiction where philosophy can be tinkered with, torn apart, and put back together again, it is the fiction of sociology and psychology and history compounded and squared by time. It is the fiction where you may set up and knock down your own political and religious and moral states. It can be a high form of Swiss watch-making. It can be poetry. It has resulted in some of the greatest writing in our past, from Plato and Lucian to Sir Thomas More and François Rabelais and on down through Jonathan Swift and Johannes Kepler to Poe and Edward Bellamy and George Orwell....
— Ray Bradbury