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Quote by Nelson Algren

“Then the wooden benches along the walls, where so many outcasts had slept, would be lit by a sort of slow, clocked lightning til the bulb steadied and fastened its tiny feral fury upon the center of the room like a single sullen and manic eye. To burn on there with a steady hate. Til morning wearied and dimmed it away to nothing more than some sort of little old lost gray child of a district-station moon, all its hatred spent.”

Quote by Nelson Algren

Work

The Man with the Golden Arm

This classic novel portrays the complex journey of a man named Frank, who battles his addiction to heroin while navigating the harsh realities of the criminal underworld. Set in the late 1940s, the story explores themes of redemption, personal transformation, and the impact of societal norms on individual lives. more

Author

Nelson Algren
Nelson Algren

Nelson Algren was an American film writer born on March 28, 1909, and died on May 9, 1981. He is known for his profound depiction of the lives of the underclass in American society. more

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“She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.”

“Day and night, I was free to explore the house-- and I went everywhere that I could, for my key opened almost half the doors. I found a rose garden under a glass dome; the roses formed a labyrinth in which I always got lost, and yet-- according to the cuckoo clock at the door-- I would always stumble out again in exactly twenty-three minutes. I found a greenhouse full of potted ferns and orange trees. The air was thick with the warm, wet smell of earth. Bees hummed through the air; the glass walls were frosted with condensation. I found a round room whose walls were covered in mosaics of naiads and tossing waves, and the air always smelled of salt, and no matter which way I turned, the door was always directly behind me.”