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Patricia D'Arcy Laughlin

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“Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose." "You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them." I nodded and kept writing. "But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not.”

“Between 10 and 20 percent of people with anorexia die from heart attacks, other complications and suicide; the disease has the highest mortality rate of any mental illness. Or Kitty could have lost her life in a different way, lost it to the roller coaster of relapse and recovery, inpatient and outpatient, that eats up, on average, five to seven years. Or a lifetime: only half of all anorexics recovery in the end. The other half endure lives of dysfunction and despair. Friends and families give up on them. Doctors dread treating them. They’re left to stand in the bakery with the voice ringing in their ears, alone in every way that matters.”

“Everyone has always said I look like Bailey, but I don't. I have grey eyes to her green, an oval face to her heart-shaped one, I'm shorter, scrawnier, paler, flatter, plainer, tamer. All we shared is a madhouse of curls that I imprison in a ponytail while she let hers rave like madness around her head. I don't sing in my sleep or eat the petals off flowers or run into the rain instead of out of it. I'm the unplugged-in one, the side-kick sister, tucked into a corner of her shadow. Boys followed her everywhere; they filled the booths at the restaurant where she waitressed, herded around her at the river. One day, I saw a boy come up behind her and pull a strand of her long hair I understood this- I felt the same way. In photographs of us together, she is always looking at the camera, and I am always looking at her.”