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Quote by Jose Nessin Abbo

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From Asteroids to Pandemics : Living a World of Spontaneous Risks

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Jose Nessin Abbo

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“The music was intended to replicate or even enhance the mind-altering experiences of the psychedelic drugs. They were using electric guitars, wah-wah pedals, loop music to create ostinato patterns, electric organs, synthesizers (nobody even had any idea what that was at the time, but it was cool to throw it into a conversation), electro-mechanical polyphonic tape replay keyboards, fuzz box effects, backward tapes, you name it. Anything went”

“Psychedelic experience seems to temporarily crack open a kind of new critical window; a window of opportunity with with great neuroplastic potential, with an enriched interpretation of the world in terms of personal relevance, amplified analogical thinking, and a wider web of semantic association; one that not only reveals the elemental foundations of thought and perception to the conscious mind, but invites it to participate, orient toward significance, integrate a variety of personally relevant information, and produce insightful experiences and emotional breakthroughs that can mark the beginning of a process of re-orienting priorities, attention, attitudes, and behavior. A change in the mobilization, distribution, and utilization of limited energetic resources by the serotonin system, in other words; an opportunity for the master homeostatic regulator to integrate all the various pertinent variables, re-orient and re-align the self, body, and outside world.”

“There’s a swirling, weaving gridwork of light-patterns everywhere and all around. I can hear someone making choking and retching noises. RD was experiencing the vomit of the world’s suffering, but was not suffering himself, as he later told us. At first I can’t do anything – there is no “I” and nobody else. Then I notice that I’m being moved towards the sound, to reach out with my hand, to touch, to help, to give comfort. “I” didn’t decide to do this, it just happened, sort of like an amoeba oozing over toward the source of apparent distress signals. My voice appeared to be making soothing sounds while my hands appeared to be making touching, stroking gestures. Awareness then arose of the other individual, this particular man, RD. Only after that awareness, came the realization that “I” was doing this gesture, this movement (RM).”