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Quote by Laura Wiess

“Time is not your friend. It doesn't care if you live fast or die slow, if you are or if you aren't. It was here before you arrived and it will go on after you leave. Time doesn't care who wins or who loses, if your life span is full or empty, honorable or shameful. Time is indifferent. It simply doesn't give a shit.”

Quote by Laura Wiess

Book:Leftovers
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Leftovers

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Laura Wiess

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“The Directorio Revolucionario (“DR”) existed during the mid-1950’s and it was a Cuban University students’ group in opposition to the dictator President Fulgencio Batista. It was one of the most active terrorist organizations in Havana. Although they were given orders not to attack the rank and file police officers, semantics became important, as their targets were no longer “assassinated,” but rather were “executed.” To them the term sounded more legally acceptable. However, regardless of how it is phrased, murder is murder! At 3:20 on the afternoon of March 13, 1957, fifty attackers from the “DR”, led by Carlos Gutiérrez Menoyo, attacked the Presidential Palace. Menoyo had fought in the Sahara Desert against the German forces under General Rommel during World War II. By demonstrating great courage, Carlos had been decorated and given the rank of second lieutenant in the French army and was uniquely suited for this task. Now, with workers representing labor, and rebellious students from the university, they drove up to the entrance to the Presidential Palace in delivery van #7, marked “Fast Delivery S.A.” They also had two additional cars weighted down with bombs, rifles, and automatic weapons… (Read more in the Exciting Story of Cuba)”

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Author:Captain Hank Bracker, "The Exciting Story of Cuba"
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“Many of the members of the decolonial aestheSis collective are practicing artists, theoreticians, curators, and writers who arrive to the process as a result of understanding the way in which the axis of coloniality and modernity/rationality (as Anibal Quijano puts it in his inaugural article) still resonates and maintains the debates about art, art practice, and the institutions that support it.”

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Author:Raul Moarquech Ferrera-Balanquet and Miguel Rojas-Sotelo
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“Looking up into the infinite splendor, I couldn’t help but notice the stars dancing with light, as harmonious in their movements as an orchestra. The purple, black, blue, yellow, and golden streaks of light melted together into a glimmering pool so thick you could drink it. Each beam of light flickering through countless light years of time and space, each star shining so huge that it could fit tens, billions, or even quadrillions of earth-sized planets into it, so huge and significant and yet, at the very same moment, smaller than the point of a needle. I couldn’t help but be in awe.”

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Book:Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose
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“Paths are the habits of a landscape. They are acts of consensual making. It's hard to create a footpath on your own...Paths connect. This is their first duty and their chief reason for being. They relate places in a literal sense, and by extension they relate people. Paths are consensual, too, because without common care and common practice they disappear: overgrown by vegetation, ploughed up or built over (through they may persist in the memorious substance of land law). Like sea channels that require regular dredging to stay open, paths NEED walking.”

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Book:The Old Ways: A Journey on Foot
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“When I was nineteen years old, I discovered a collection of books in the Harvard library written by Jacob Boehme. Do you know of him?" Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma's mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called "the signature of all things"- namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love. That is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. 'Polygonum,' with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh.”

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Book:The Signature of All Things
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“We know now that all the people of Polynesia carry taro root and coconut palm and breadfruit with them when they settle a new island, but they themselves will tell you that the gods planted these things here. Some of their stories are quite fabulous. They say that the breadfruit tree was crafted by the gods to resemble a human body, as a clue to humans, you see- to tell us that the tree is useful. They say that this is why the leaves of the breadfruit resemble hands- to show humans that they should reach toward this tree and find sustenance there. In fact, the Tahitians say that 'all' the useful plants on this island resemble parts of the human body, as a message from the gods, you see. This is why coconut oil, which is helpful for headaches, comes from the coconut, which looks like a head. 'Mape' chestnuts are said to be good for kidney ailments, for they resemble kidneys themselves, or so I am told. The bright red sap of the 'fei' plant is meant to be useful for blood ailments." "The signature of all things," Alma murmured.”

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Book:The Signature of All Things
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