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Quote by Charlotte Brontë

“By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne, between a guide and a seducer”

Quote by Charlotte Brontë

Work

Jane Eyre

Charlotte Brontë's 'Jane Eyre' is a poignant narrative of a young woman's journey from poverty and hardship to self-discovery and love. The story unfolds in the English countryside, where Jane's life is transformed by her employment at Thornfield Hall and her complex relationship with its enigmatic owner, Edward Rochester. The novel explores themes of social class, individualism, and the struggle for independence, while offering a rich portrayal of the human spirit. more

Author

Charlotte Brontë

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“The King of Hell was everything they said he was, both less and more. He was reputed to have the ability to seduce an abbess or the pope himself, and she could see why. It wasn't his physical beauty, which was considerable. He had dark blue eyes behind a fringe of ridiculously long lashes, pale, beautiful skin, the kind of mouth that could bring despair and delight- and what the hell was she doing, thinking about such things? He looked younger than his reputed age, around forty, and while his long dark hair was streaked with silver it only made him seem more leonine, more dangerous. He was tall, and he moved with an elegant grace that put dancers to shame. He was standing far too close to her, to the gun she'd stolen from Jacobs while he was busy with the carriage, and he was looking at her with far too much interest and absolutely no fear.”

“As she had stated earlier, he wasn't an animal. Well, he was, but there was a side of him that was more than instinct as well. There was the strategist, and soon, there would be the seducer. No battle was won purely with a show of strength, he told himself as he left her room, closing the door quietly behind him. Every battle won was done so with the right strategy as well as the proper weapons. He simply had to determine when and where to begin the first skirmish.”

“At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection. But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.”

“Girls Wanted to Enter Flight Stewardess Training Group Here is the Career Opportunity for Which You Have Been Waiting! If you are interested and feel you can meet all of the qualifications below, please write in detail and attach a full length photograph. HEIGHT: Between 5'2" and 5'6" WEIGHT: 135 pounds maximum ATTRACTIVE: "Just below Hollywood" standards Plenty of Personality and Poise GENDER: Female MARITAL STATUS: Single, Not Divorced, Separated, or Widowed RACE: White AGE: 21-26 years old EDUCATION: Registered Nurse or Two Years of College VISION: 20/20 without glasses Must be a US citizen and available for training within 6 months. If you feel you qualify--”

“Vanity is by far my favorite of all sins, and the camera lens is the ultimate vanity mirror. The camera captures all moods and nuances; immortalizes the soft and silky continuum that is humanity. Those still life moments seem so fluid, so representative of continuity. They are a single moment captured, yet an eternity expressed. All your youth; all your ages, captured and expressed in a single click. Of all the indulgences, vanity is certainly my favorite which we should otherwise resist, but are inexplicably captivated by and addicted. What other animal would spend so much time pouting and preening for its reflection? Only humanity would participate in such self-adoration. You would think we have the most colorful feathers or softest of manes. Rather, we are a naked biped that feels incomplete without some decorative element, accessory, or embellishment of the self. We are intoxicated by the image of the body, no different than we are seduced by fine wines, foods, or mind altering elements. We devour the skin, and peel away clothes as if they were the skin of some tropical fruit, covering a colorful and juicy interior. We hunt for bodily pleasures, and collect them as prizes; show them off in social situations as if our companions were some sort of extended adornment to ourselves. We are revealed in our sensuality. To touch beneath the surface; to connect beyond facades, that unattainable discourse between individuals is put tentatively within reach in intimacy. To capture those moments is to capture the essence of what makes us human, and what ultimately sets us above and aside from the rest of nature. Capturing humanity in its most extravagant expressions is intoxicating. Vanity is by far my favorite sin, and it is an endless tale as infinite as humanity. Every person is but a stitch in a giant tapestry.”