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Quote by Nadeem Aslam

“He led her back to the house, the perfume from the acacia clinging to her. The djinn was supposed to live in the scent of the acacia blossom, making themselves visible only to the young in order to entrap them in otherworldly world.”

Quote by Nadeem Aslam

Book:The Wasted Vigil
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Work

The Wasted Vigil

A narrative that delves into the complexities of human emotions and the search for meaning amidst personal tragedy. more

Author

Nadeem Aslam
Nadeem Aslam

Nadeem Aslam is a British author of Pakistani origin, known for his insightful social commentary and rich literary imagination. His works often explore themes of religion, cultural conflict, and identity. more

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“One of the great myths about war is that there is a ground zero, a center stage, where the terrible forces unleashed by it can be witnessed, recounted, and replayed like the launching of a rocket. War is a human activity far too large to be contained in the experience of a single reporter in a single place and time in any meaningful way. When it comes, it happens to everyone. Everything is in its path. Yet this is the allure of war reporting, the chance of acquiring some personal mother lode of truth to beam back to the living rooms of a waiting nation. The fear that comes from reporting on a war is as much a fear of missing this mother load as it is of being injured or killed in battle, and it sets reporters apart from the people who have to fight wars. Soldiers have their own agonies to think about as a battle approaches. Missing the war is not generally one of them.”

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“It is interesting how one word can spark memories that one believes she has buried beyond recognition. War reminded me of the sharp and bittersweet smell of burning homes, temples, and palaces. It made my eyes cloud over with a haze of dense smoke, kicked up dirt as people went running and careening around corners, and the flashing colors of different garments as citizens ran in all directions, their lives suddenly meaningless. The word war made me twelve years old again and frightened beyond sanity.”

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“You see all the other fellows were so active and earnest and all that sort of thing- always rampaging, and skirmishing, and scouring the desert sands, and pacing the margin of the sea, and chasing knights all over the place, and devouring damsels, and going on generally- whereas I liked to get my meals regular and then to prop my back against a bit of rock and snooze a bit, and wake up and think of things going on and how they kept going on just the same, you know!”

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“There was a time in my life when I did a fair bit of work for the tempestuous Lucretia Stewart, then editor of the American Express travel magazine, Departures. Together, we evolved a harmless satire of the slightly driveling style employed by the journalists of tourism. 'Land of Contrasts' was our shorthand for it. ('Jerusalem: an enthralling blend of old and new.' 'South Africa: a harmony in black and white.' 'Belfast, where ancient meets modern.') It was as you can see, no difficult task. I began to notice a few weeks ago that my enemies in the 'peace' movement had decided to borrow from this tattered style book. The mantra, especially in the letters to this newspaper, was: 'Afghanistan, where the world's richest country rains bombs on the world's poorest country.' Poor fools. They should never have tried to beat me at this game. What about, 'Afghanistan, where the world's most open society confronts the world's most closed one'? 'Where American women pilots kill the men who enslave women.' 'Where the world's most indiscriminate bombers are bombed by the world's most accurate ones.' 'Where the largest number of poor people applaud the bombing of their own regime.' I could go on. (I think number four may need a little work.) But there are some suggested contrasts for the 'doves' to paste into their scrapbook. Incidentally, when they look at their scrapbooks they will be able to re-read themselves saying things like, 'The bombing of Kosovo is driving the Serbs into the arms of Milosevic.”

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“I'm done doing this!' Obama said, finally erupting. 'We've all agreed on a plan. And we're all going to stick to that plan. I haven't agreed to anything beyond that.' The 30,000 was a 'hard cap,' he said forcefully. 'I don't want enablers to be used as wiggle room. The easy thing for me to do - politically - would actually be to say no' to the 30,000. Then he gestured out the Oval Office windows, across the Potomac, in the direction of the Pentagon. Referring to Gates and the uniformed military, he said. 'They think it's the opposite. I'd be perfectly happy -' He stopped mid-sentence. 'Nothing would make Rahm happier than if I said no to the 30,000.' There was some subdued laughter. 'Rahm would tell me it'd be much easier to do what I want to do by saying no,' the president said. He could then focus on the domestic agenda that he wanted to be the heart of his presidency. The military did not understand. 'Politically, what these guys don't get is it'd be a lot easier for me to go out and give a speech saying, 'You know what? The American people are sick of this war, and we're going to get out of there.”

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Book:Obama's Wars
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