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Democracy in Retrograde: How to Make Changes Big and Small in Our Country and in Our Lives

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Sami Sage

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“I'd worked my whole life to acquire the technical, the emotional skills to make those paintings. I'd chopped tomatoes and peeled half-eaten onion rings off plastic trays for thousands of hours. I'd painted in grief, weeping and painting, painting and weeping. There were probably weeks, whole months when I did not smile even once. I lived in a studio so small I could smell my neighbor's farts. I spent every penny I had on canvas, brushes, paints. I killed myself. I killed my love. I forced myself to forget my husband, my brother. My country. My son. It's easy for people who have sacrificed nothing to rationalize their own ordinariness by calling me lucky. But I sacrificed my entire life; I sold it to the abyss. And the abyss gave me art.”

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“Writing a good song is not mimicry, replication, or pastiche; it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what they recognize as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, peril, and smallness, pitted against a sense of sudden, shocking discovery. It is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes their own blood, struggle, and suffering in the inner workings of the song.”

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