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Quote by Melanie Dobson

“She didn't look up, her gaze focused entirely on the paper before her as she drew what looked like a wing. He picked up one of the papers from the floor, and on it was a butterfly, the colors a blending of vibrant yellows and oranges. He held out the paper. "What's this one called?" "Golden Shimmer," she said. "She loves the sunlight." He picked up a picture of a light-purple butterfly with a string of pearls around her neck. "And this one?" "Lavender Lace. She has the power to heal all sorts of wounds." He scanned the room, all the pictures on the floor. "Do they each have a name?" Finally she looked at him, her bright-blue eyes meeting his. "Of course." And he realized with a pang of sadness that these were Libby's friends for life. "They are beautiful." A glint of a smile. "Thank you." He picked up another butterfly, this one a dark violet shade, a silver streak bleeding across the edge of its wings. "What is she called?" "Silver Shadow." "Does she have a story?" Libby's smile faded. "She's lost and can't seem to find her way home.”

Quote by Melanie Dobson

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Shadows of Ladenbrooke Manor

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Melanie Dobson

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“In seconds, the room flooded with wide-eyed girls wanting to meet the artist of the butterfly stories. Stories about healing and redemption. Love and friendship. Stories about shifting shadows and an armory full of color to drive the darkness away. "Emerald Dawn rises early before her sisters wake. With her smile, she charms the sun and chases clouds away. Diamonds hide among the silvery dew. Rubies shimmer in the roses. And she tiptoes through the castle garden to find their hiding spaces.”

“When she was a child, she'd often wondered about the old manor. Some said the place was haunted, but she thought it mysterious. Sometimes when she was a girl, she would wander through the wrought-iron gate along Ladenbrooke's stone wall. The fragrance from flowers on the other side captivated her along with the beauty of the gardens. The butterflies reminded her of the fairies she'd loved as a child and, when she was older, of the fairies dancing through the magical garden in 'A Midsummer Night's Dream.' Shakespeare was born forty miles from here. In Stratford-upon-Avon. Perhaps the gardens in the Cotswolds inspired him as they once inspired her.”

“The title on the front of the sketchbook was written in bold cursive: 'Libby's Book of Butterflies.' One of the edges was folded, and she smoothed it with her hand, reverently, to honor the sister she'd never known. Then she stepped back under the light and flipped through the first pages. There were beautiful paintings of butterflies, their wings bright from the watercolors. Did her sister create this book or did someone make it for her? Mum had loved her gardens, but Heather had never known her to do any kind of artwork. She'd always been busy planting her flowers and working as a hairdresser and caring well for their family. Intrigued, Heather slowly turned the pages. The butterflies were unique in their brilliance, each one with a magical name. Golden Shimmer. Moonlit Fairy. Lavender Lace. Under the butterflies were short descriptions. Like they all had different personalities. Her favorite was the Autumn Dancer, colored a vibrant orange and red with speckles of teal. It reminded her of a leaf, clinging to its branch before the autumn winds blew it away.”

“With all the flourishes and flowers, these pictures seemed to be created by a young woman anyway. At least one who was young at heart. Heather turned the page again to a pink butterfly named Rosa Belle, and she smiled as she read the description. Rosa Belle was a very proper butterfly, invited often to take tea with the queen in the gardens behind Buckingham Palace.”

“She returned to the floor, and a tray appeared beside her with a sandwich, glass of milk, and some cubes of cantaloupe. She didn't know who brought it in, but she picked up a piece of the cantaloupe and examined it. The color matched some of the roses in the lady's garden, exactly what she needed for the flowers she'd drawn behind her butterfly. Yellow, white, and a dab of red- she combined them on the plate until a soft peach colored her palette. Walter thought she should grow up, like the lady wanted Oliver to do, but grown-ups didn't spend their nights dancing in gardens. Or painting. "I will stay a girl forever," she whispered, changing the lyrics from 'Peter Pan.' "And be banished if I don't." She began to paint her butterfly. "I'll never grow up," she chanted as she worked. It wasn't until the first rays of dawn spilled across her paper that she began to feel sleepy. Her floor was covered with pictures and papers, but where others might see a mess, she saw a new world. There were flowers and trees and butterflies she'd brought to life with her hands. And her heart. A lot of people thought she wasn't good at anything, but it wasn't true. She was good at making things.”

“One day', he said, 'the King of the Butterflies sent an emissary to discover the nature of fire. Some time later the emissary returned, saying that he had discovered fire, that he had found it a volatile, enraged substance, and that he had been too afraid to get any closer. So a second emissary set off, who soon returned exhausted, half mad, his wings singed, but the King was still not satisfied and sent his own son off, telling him not to return until he had discovered what fire really is. The son set off, but never returned. The King was satisfied — his son had discovered the true nature of fire.”

“I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.”