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Quote by Emily St. John Mandel

Work

The Glass Hotel

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Author

Emily St. John Mandel
Emily St. John Mandel

Emily St. John Mandel is a Canadian-American writer born in Ontario, Canada, in 1979. Her works span various literary genres, including novels, short stories, and poetry. Mandel's writing is celebrated for its profound themes, rich imagination, and unique narrative techniques. more

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“A society without the authentic and vibrant influence of women is a society that is not fully alive. A culture lacking the vital creativity of women is disadvantaged. Without the bearing of women on world affairs, humanity's already tenuous grip on peace is made even less sure. When women are barred, whether by law, cultural prejudice, or political ideology, from developing their full potential and offering their unique gifts, it is an injustice to women themselves and to humanity as a whole.”

HumanityWomenFeminism
Book:Achtung Baby
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“There's this mental illness, right? It's called 'anhedonia.' It means 'without pleasure.' You can look it up, though all you really need to do is look around." She motioned to the door the other women had disappeared through, and to the world at large. "A good deal of people, mostly women, spend their entire lives in this state. It's a sort of half-death. But if you recognize this, you can fix it...You focus on bliss. Small pleasures. Fill your day with as many as you can fit into twenty-four hours. You devote every possible moment not to fulfilling another person-a man-but yourself."-Suzanne "Sounds hedonistic"- Joanna "But once you can do this, you start attracting everyone to you. You dont need compare yourself to some other girl, no matter how young or firm or perky she is.....Trust me. A woman like this, one at her best? We're the color of the world. We're the light and the beauty. So focus on your pleasure, and the man you want can't help but realize...that he may be a prince...but your a goddess.-Suzanne”

InspirationWomen
Book:City of Souls
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“I didn’t realize that in his wish to transform me was the proof that he didn’t like me as I was, he wanted me to be different, or, rather, he didn’t want just a woman, he wanted the woman he imagined he himself would be if he were a woman. For Franco, I said, I was an opportunity for him to expand into the feminine, to take possession of it: I constituted the proof of his omnipotence, the demonstration that he knew now to be not only a man in the right way, but also a woman.”

MenWomenFeminismPossessionOmnipotence
Book:Those Who Leave and Those Who Stay
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“The one charm about the past is that it is the past. But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it. If they were allowed their own way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art.”

PastWomen
Book:The Picture Of Dorian Gray
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