“In Brussels between 1909 and 1914, Louis Mascré sculpted away for Belgium’s Royal Academy of Science, creating a plaster cranium, a mother and child, the upper body of an elder. At a time when Belgium was brutalizing the Congo, the country’s Royal Academy compared Africans to apes and also depicted Neanderthals as simian rather than caveman-like.”
Quote by Stefanos Geroulanos
Work
The Invention of Prehistory: Empire, Violence, and Our Obsession with Human Origins
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