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Quote by Kilroy J. Oldster

“I seek to create an artistic statement of my being by producing a unified voice that speaks for me and to me. I will attempt to capture the pulsation of my mind and harness its incessant rush into a telling format that is revelatory and self-healing. Confessing my sins is the first steps of communing with the self by focusing the light of consciousness upon the darkness of the unconsciousness in an attempt to comprehend what I am for the very first time. I endeavor to open my heart and mind, be an indomitable witness to the paradoxes that bedevil humanity, and serve as an unrepentant admirer of the irrepressible splendor of living in a natural manner undisturbed by the behavior of other people or the inevitable changes in the world that we occupy.”

Quote by Kilroy J. Oldster

Book:Dead Toad Scrolls
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Dead Toad Scrolls

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Kilroy J. Oldster

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“Scholars laud personal essay writing for its ability to explore the past, present, and the future, and assist people gain a better understanding of life, people, and oneself. A growing trend is for both famous and non-famous people to write their memoirs as a means of documenting their personal history and exploring their quest for identity.”

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Book:Dead Toad Scrolls
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“As a prose mode of expository writing, the narrative approach, more than any other, offers writers a chance to think and write about their personal history and cultural identity. A personal narrative process that constructs memories in thematic sequences represents the fundamental nature of the self.”

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Book:Dead Toad Scrolls
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“Human beings construct their individual life stories by navigating a complex network of recursive natural structures that guide and shape human behavior. Akin to a revolving top spinning on its axis, an inexhaustible number of natural responses are available to a person when conducting a walkabout in a chaotic world. A mature person comprehends that there are many ways to conduct their lives, appreciates the richness and complexities of alternative ways of life, and makes conscious decisions pertaining to what course of behavior will provide them with personal bliss.”

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“It has been suggested that each person lives hermetically sealed within his or her self-perpetuated myths. Scholars postulate that we tell ourselves stories to make sense of our lives. We begin exploration of the self with the experience of failed transcendence. Philosophy originates from the experience of disappointment. Our failures lead us to discoveries. At birth, we know very little, almost nothing; all knowledge instigate from the experience and recognition of our limitations. With the uncertainty that surrounds our existence in the universe, perhaps we must create ourselves. Perchance we seek self-exploration when the myths that we once operated under no longer work. Perhaps we undergo self-analysis only when a coalescence of the past, the present, and the future betrays our current myth-making. Perhaps at such times when failure reigns center court, our survival instinct urges us to create a new story-line.”

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Book:Dead Toad Scrolls
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“Philosophic thoughts allow people to use human reason and imagination to consider eternal matters and explore the ramifications of their own transience. American author Joan Didion postulated that we tell ourselves stories in order to live. Conceivably a personal crisis propels a person to delve into creating a guiding philosophy for living with reduced mental and emotional turmoil. Alternatively, perhaps we tell stories to examine, explain, and justify our failures.”

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Book:Dead Toad Scrolls
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“Reflecting on the past while living in the present, we make decisions that will reverberate in the future. Our daily actions, thought patterns, and the concepts we choose to cherish will create the paradigmatic structure of our life story; our collective decision-making determines our final manifestation.”

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Book:Dead Toad Scrolls
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“Storytelling is an imperfect methodology to provide a true accounting to a multiplicity of bilateral and three-dimensional interactions. Language cannot reach every recess of the mind, it cannot document every emotional chord, and it cannot splice the discordant pieces within us. Each story by a writer represents the sanitized accounting of the mind’s depictions. Try as one might, employing a panoply of traditional technique or other slick tools of modernist stage craft, it is impossible to separate the teller from the telling any more than one can distinguish the author from their doppelganger writer’s voice.”

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Book:Dead Toad Scrolls
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“A good story is both one hundred percent true and one hundred percent false. A good story uses small lies to take a stab at piercing larger truths. An overstatement and understatement are part of writer’s craft; each standing alone is an untruth. An understatement might be used as an attempt at humor, just as an overstatement might be used to probe a truth that lies beyond the exact retelling of who, what, when, and where style employed in police report writing. Even writing biography, autobiography, memoir, and personal essays that studiously and relentless adheres to established facts can distort the truth. Faithful adherence to stringing rote facts together omits many aspects of both the subject and the operable social, cultural, and political environment that stages human interaction, contest, conflict, drama, and strife.”

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Book:Dead Toad Scrolls
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