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Quote by Allison P. Palumbo

“This problem—the reconciliation of feminist goals and activism with romance and its ties to narrow conceptions of womanhood—has been far from solved for feminists growing up in the 21st century, whether on screen or in real life. This problem is at the heart of my own yearnings and my attempts to find assurance and even decent blueprints in the unsatisfactory onscreen fantasies about the strong, independent woman. (5)”

Quote by Allison P. Palumbo

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Allison P. Palumbo

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“There have been glimpses of alternative romance narratives—not only in niche genres or in programs with small but dedicated followings, but also in Hollywood blockbusters and primetime television—that represent an empowered version of womanhood that still finds room for intimacy, even if it is a struggle. These alternative romance narratives offer sites of potential resistance, transformation, and agency. They show us examples where feminist-friendly heterosexual intimacies are being advanced and even celebrated, where pockets of popular culture are replacing the feminist man-hating stereotype with a feminist man-loving ideal—whether the love is romantic or not—that portrays female relationships with men in ways that avoid or question the old caricatures. (6)”

“[B]y the beginning of the 21st century, the fighting female capable of spectacular violence had gained a firm ground, and there were more versions of them than ever before on the big and small screens, and the number only continues to increase. Audiences growing up in the 70s, 80s, and 90s, male and female, have been raised on depictions of women onscreen who could more than hold their own and didn’t need to be protected, at least no more than a man did.”