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Quote by Arie de Ruiter

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Bloeddruppels als tranen

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Arie de Ruiter

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“My darling, what a cat they have! Something perfectly stupendous. Siamese, in colour dark beige, or taupe, with chocolate paws and the tail the same. Moreover, his tail is comparatively short, so his croup has something of a little dog, or rather, a kangaroo, and that’s its colour, too. And that special silkiness of short fur, and some very tender white tints on its folds, and wonderful clear-blue eyes, turning transparently green towards evening, and a pensive tenderness of its walk, a sort of heavenly circumspection of movement. An amazing, sacred animal, and so quiet – it’s unclear what he is looking at with those eyes filled to the brim with sapphire water.”

“The primary purposes of the political pamphlets of the early 1700s were neither to enlighten nor educate the masses, but to incite partisan conversation and spread commensurate ideas . . . Facts were not permitted to fetter the views they espoused, and the restraints of objective journalistic credibility were discarded by pamphleteers bent on promoting subjective slant to an insatiable general public for whom political dissonance was an integral part of social interaction.”

“It takes our breath away when we see how many cards some people have got up their sleeves. Using deceptive or manipulative tactics, they are out to gain our confidence or take advantage of our inattention. “Chicanery” operates in the dark net but is often also undisguised. Its maneuver ground is so impenetrable and the strategy so unpredictable that it has, undoubtedly, become an arresting buzzword in our world. (“The infinite Wisdom of Meditation“)”

“Yo creo que nadie ha definido hasta hoy un cuento de manera satisfactoria, cada escritor tiene su propia idea del cuento. En mi caso, el cuento es un relato en el que lo que interesa es una cierta tensión, una cierta capacidad de atrapar al lector y llevarlo de una manera que podemos calificar casi de fatal hacia una desembocadura, hacia un final. Aunque parezca broma, un cuento es como andar en bicicleta, mientras se mantiene la velocidad el equilibrio es muy fácil, pero si se empieza a perder velocidad ahí te caes y un cuento que pierde velocidad al final, pues es un golpe para el autor y para el lector.”