Quotessence
Home / Quotes / Quote by Rosario Villajos

Quote by Rosario Villajos

“Puede que también haya una guerra constante y sigilosa, un caballo de Troya relleno de información cancerígena solo para un grupo de la población, pues no conoce cuentos clásicos, ni Historia del Arte, ni espectáculo público donde no se especifique que ellas — niñas y mujeres — no estaban en casa, sino en un bosque oscuro, o lavándose en un río...o en mitad de una carretera. Y que lo peor no habría sucedido de haber evitado esos mismos lugares que los hombres pisan con total tranquilidad.”

Quote by Rosario Villajos

Book:La educación física
Create image

Work

La educación física

Browse quotes and source details for this work. more

Author

Rosario Villajos

Browse famous quotes and profile details for Rosario Villajos. more

You May Also Like

“Fearnley-Whittingstall and Pollan argue that on some evolutionary level the animals have agreed to be slaughtered, because animals tend to stay around human encampments even when there are no physical fences; thus, despite the inevitability of being killed, a relationship with humans must be worthwhile to them—worth even their own deaths. But not all fences are physical, as we humans know too well. One need only look at the history of male domination over women to see various psychological and economic fences at work in the rampant and insidious nature of patriarchy. One cannot argue that the domesticated animal chose slaughter any more than one could argue that generations of women chose patriarchy. Human domination is the system domesticated animals live under because there is no other system available to them.”

FeminismVeganism
Book:Beasts of Burden: Animal and Disability Liberation
Create image

“This is just about when she discovers that love and marriage mean a different thing for a male than they do for her: Though men in general believe women in general to be inferior, every man has reserved a special place in his mind for the one woman he will elevate above the rest by virtue of association with himself. Until now the woman, out in the cold, begged for his approval, dying to clamber onto this clean well-lighted place. But once there, she realizes that she was elevated above other women not in recognition of her real value, but only because she matched nicely his store-bought pedestal. Probably he doesn't even know who she is (if indeed by this time she herself knows). He has let her in not because he genuinely loved her, but only because she played so well into his preconceived fantasies. Though she knew his love to be false, since she herself engineered it, she can't help feeling contempt for him. But she is afraid, at first, to reveal her true self, for then perhaps even that false love would go. And finally she understands that for him, too, marriage had all kinds of motivations that had nothing to do with love. She was merely the one closest to his fantasy image: she has been named Most Versatile Actress for the multi-role of Alter Ego, Mother of My Children, Housekeeper, Cook, Companion, in his play. She has been bought to fill an empty space in his life; but her life is nothing.”

LoveFeminismGender
Book:The dialectic of sex: the case for feminist revolution
Create image

“Most of those who romanticize female guerrillas in my country also pose as feminists and women's rights advocates. It's particularly disappointing and distressing that this is said by those who wouldn't want to spend even two days in the mountains, those who can't even hold a stick in their hands. The struggle maintains its romanticism thanks to those who do not want to be victims themselves but prefer others to be.”

FeminismSocial CommentaryPolitical Fiction
Book:Ernesto'nun Dağları
Create image