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Quote by Caio Fernando Abreu

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Morangos mofados

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Caio Fernando Abreu

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“To apprehend sin in oneself is a spiritual act, impossible without grace, without the drawing near to us of Divine Light. The initial effect of the approach of this mysterious Light is that we see where we stand ‘spiritually’ at the particular moment. The first manifestations of this Uncreated Light do not allow us to experience it as light. It shines in a secret way, illuminating the black darkness of our inner world to disclose a spectacle that is far from joyous for us in our normal state of fallen being. We feel a burning sensation. This is the beginning of real contemplation — which has nothing in common with intellectual or philosophical contemplation. We become accurately conscious of sin as a sundering from the ontological source of our being. Our spirit is eternal but now we see ourselves as prisoners of death. With death waiting at the end, another thousand years of life would seem but a deceptive flash. Sin is not the infringement of the ethical standards of human society or of any legal injunction. Sin cuts us off from the God of Love made manifest to us as Light in Whom there is no darkness at all (cf. 1 John 1.5). To behold one’s pitiful reality is a heavenly gift, one of the greatest. It means that we have already to a certain extent penetrated into the divine sphere, and have begun to contemplate — existentially, not philosophically — man as he is in God’s idea of him before the creation of the world.”

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“Augustine's insight that to search for God is to have found God is deeply profound, because the belief we hold in the existence of another world opens space within us, and around us, which creates a more radiant reality. A radiance is inside us, just as it is visible outside us, and to seek it is maybe to catch a glimpse from time to time of a light within, of a candle at the window of our heart, of a home somewhere inside.”

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“...a flash of colour amid a shadowy, gloomy background made me stop, a riot of colour and texture that compelled me to face the gilded frame. I'd never- never- seen anything like it. It's just a still life, a part of me said. And it was: a green glass vase with an assortment of flowers drooping over its narrow top, blossoms and leaves of every shape and size and colour- roses, tulips, morning glory, goldenrod, maiden's lace, peonies... The skill it must have taken to make them look so lifelike, to make them more than lifelike... Just a vase of flowers against a dark background- but more than that; the flowers seemed to be vibrant with their own light, as if in defiance of the shadows gathered around them. The mastery needed to make the glass vase hold that light, to bend the light with the water within, as if the vase did indeed have weight to it atop its stone pedestal... Remarkable.”

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Book:A Court of Thorns and Roses
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