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Quote by Haruki Murakami, Kafka on the Shore

“Believing that art itself, and the proper expression of emotions, was the most sublime thing in the world, he thought political power and wealth served only one purpose: to make art possible”

Quote by Haruki Murakami, Kafka on the Shore

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Haruki Murakami, Kafka on the Shore

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“The vital roles that schema and pattern play in Archaic art can be considered symptoms of a larger Greek demand for regularity and order which extends beyond the realms of representational art into architecture, poetry, and philosophy and beyond the limits of the Archaic period itself. The language of Homer is highly ordered: its formulae were originally patterns for the ear. Hesiod's Theogony imposes patterns on gods and heroes by putting each in his genealogical place, and his Works and Days moves from a particular instance of injustice to universal truths and patterns of human activity. Archaic poetry in general is full of literary schemata or conventions, and Archaic poets express thought and meaning through the harmony of opposites. Archilochos detected a rhysmos (pattern) even in the rise and fall of human fortunes. The philosophers of Miletos attempted to fit nature to preconceived patterns and so to extract order from apparent chaos. Pythagoras (or his followers) ordered the world through number. The urge to impose kosmos (order) on the nature of things is not peculiar to the Archaic mind – in Xenophon's Oikonomikos Sokrates reports that all things, even pots and pans, look more beautiful when they are kept in order, and even the space between them looks beautiful – but is nonetheless particularly characteristic of it.”

ArtOrderChaosPatternsKosmosArchaic Greece
Book:The Art and Culture of Early Greece, 1100-480 B.C.
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“We leaned even closer and pressed our foreheads together for consolation, as a promise, fingers entwined, and it was like the last application of color to the canvas, the moment when you know this is what had been waiting to be completed, this is what had existed somewhere, even if just in your imagination. You have brought it isn't the richness of being. Layer up on layer of color, and when the final one is applied, gold bursts upon the back of your closed eyelids.”

LoveArt
Book:The Last Collection: A Novel of Elsa Schiaparelli and Coco Chanel
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“Provocative art can pierce your nervous system, touching arts of you that rhetoric cannot. A charged, layered object can haunt viewers for days, as their unconscious works to unpack it. Art instigates, nudges the conversation along, and ultimately advances civilization.”

ArtArtistArtistic VoiceProvocative ArtArtist As VisionaryControversial ArtAdvancing CivilizationThe Artist S RoleUnconcious Response To Art
Book:Art from Your Core: A Holistic Guide to Visual Voice
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“Animal a spiritual being made to.be an alloy of all the metals that have no value of diamonds or rubies. Man are taught to be malleable not brittle. My father told me never entertain a whore while drinking wine, always entertain your wife after a round of Pinot noir. If you have to buy a slice of flesh don't eat the stake, look for a boney meat. Never smoke thus ungentle and uncouth you are pleasing capitalism of unethics and destroying your lungs. After drinking whiskey, and always drink Scottish, if you are poor enough try Canadian. If you want to be a sage Japanese taste crazy but it makes you a man. Boys are not made but they are roasted in fires of bellies and they stay in barrels for maturity. Spend hours reading Greek philosophy, African methodologies and read the holy Bible. In doing business always despise free lunch and never drink brandy, sometimes act like a Vatican and be an integrity vulture. Stoicism is the ultimate master. Avoid to step on great man shoe and always be water.”

ArtPhilosophyPsychologyTapiwanaishe Pamacheche
Author:Tapiwanaishe Pamacheche
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“You remember the 'distinguished' poem that was quoted in the copy you lent to me? "They ordered bacon And eggs at seven. At eight o'clock, There was nobody down. Only the coffeepot Stood on the table." "Yes, but what possible ..." "Do you also remember what your 'distinguished' weekly said about it? 'The old-fashioned reader who would dismiss as insignificant this new and vital work (a striking example of the sharp-edged imagisme with which the more adventurous of our younger writers are experimenting today)'—you see, Basil, I have it by heart, words, tone, cadence and all—'forgets that every object, even the coffeepot on the table, has a perimeter which not only encloses that object, but also subtends a physical and metaphysical otherness that includes the whole of the rest of the universe. Such work, therefore, is more truly significant of ultimate reality than all the pantings after God of the Victorians.' ... you were squashing a perfectly genuine love of simple and true things in a perfectly genuine little woman, and that the words you borrowed for the purpose were muddle-headed and insincere drivel. ... They are not literary grounds. They are human grounds. Miss Bird, as I told you, is unlike your 'distinguished' anonymities in having a few quite genuine beliefs; and you used the cheap phrases of a pseudo-metaphysical charlatan, in a precious literary weekly, to snub her. I saw the hurt look on her face long after you had wiped your boots on her perfectly sincere love of certain perfectly true and simple things. ... I don't go to church to hear a high-brow Anglican curate quoting a Scandinavian lunatic, any more than I go to my hair-dresser's to hear a Christy minstrel reciting the Apostles' Creed. I know that it's all very noble and distinguished and broad-minded and generally newspaperish. You might have been brought up in a seminary for young ladies of fashion. ... He didn't know whether he was modern or antique. In either case, it appeared he was a fraud.”

ArtPoetryLiteratureModernism
Book:The Sun Cure
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