Quotessence
Home / Quotes / Quote by Loung Ung

Quote by Loung Ung

“As Pa speaks, I know he thinks someone in our family has stolen the rice. The story of the rat is not true and everyone knows it. Convinced that he realises it was me, I hide my eyes from him. Shame burns my hand like a hot iron branding me for all to see; Pa's favourite child stole from the family. As if to rescue me,Geak wakes up and her screams of hunger interrupt the incident.”

Quote by Loung Ung

Work

First They Killed My Father: A Daughter of Cambodia Remembers

This memoir provides a harrowing account of the Cambodian genocide through the eyes of a child. The author recounts her family's struggles and the devastating impact of the Khmer Rouge regime on their lives. more

Author

Loung Ung
Loung Ung

Loung Ung is a Cambodian activist known for her advocacy in the fields of human rights and children's rights. Born in 1970, she endured hardships under the Khmer Rouge regime and later fled to the United States, where she became a writer and speaker. more

You May Also Like

“The archaeologists who made the study noted that ‘Southern Indian ancestry was estimated at 42–49%’ for the Cambodian individual whose remains they were studying. They identified ‘Irula, Mala, and Vellalar’ caste types as the most likely South Asian contributors to the ancient individual’s genome. These are all specifically low-caste non-Brahmin groups. It appears that we are dealing with the emigration of a large and socially varied group of Indian individuals, leading to intermarriage with Cambodians and the emergence of mixed-marriage families. This implies a varied mercantile diaspora rather than just the boatloads of literate Brahmins who record their own presence on inscriptions. It also helps explain the presence of non-Vedic, non-Brahmanical Tamil folk and village guardian deities like Aiyanar turning up from the beginning in shrines across the region, where he seems to have been worshipped as the Protector of Travellers and the Night Guardian of Reservoirs”

“Whatever their DNA contribution to the region, the Brahmins did bring with them from India three crucial gifts that proved irresistible right across the region: Sanskrit, the art of writing and the stories of the great Indian epics. No Indian import had a deeper or more long-lasting impact than the deeds of the heroes of the Mahabharata and the Ramayana. From the fifth century, right on through to the dance and shadow puppetry of the present day, these would remain a major feature in the art and culture of South-east Asia.26 In time, even the landscape of South-east Asia began to be renamed under the influence of the great epics and the stories of their respective heroes, the Pandava brothers and Lord Rama. The earliest inscription in Khmer territories dating from the fifth century records that a ruler in what is now Laos took the Indic name Devanika and the grandiose Sanskrit title Maharajadhiraja, ‘King of Kings’. This happened during a ceremony when the King installed an image of Shiva under the lingam-shaped mountain that towered over his capital of Champasak. There he consecrated a tank which he named Kurukshetra, after the plain to the north of Delhi where the great battle of the Mahabharata was fought”

“Cambodian dust whipped up in the wind and stuck to my clothes like clay. I put a hand between my face and the sun and blinked Phnom Penn dust from my tired eyes. One idea, drink, beamed light in all directions across my dark consciousness. A slim lady walked toward me with a big smile and a bigger head. Her left hand rested on her waggling hips and her right hand rose above her head, limp-wristed, like she’d just thrown a winning ball toward a basket and was leaving her hand in the shot position. The lady walking toward me was a man. At least that much was clear, but the nature or our relationship was still a fog to me. She wore blue jeans and a white top accentuating her breasts, but her Adam’s apple and cow sized hands revealed more in daylight than she could hide at night.”

“Mother’s tenderness toward my younger sisters caused more tears to pool in my eyes. I felt too old to be hugged and caressed by her, yet my body yearned for her touch; at least this once. I couldn't recall the last time she had shared the same warmth with me. The countless months of hardship had created an ocean of distance between us. It would be too awkward to hug her now. I sat across from her with tear-stained cheeks, wondering if she could feel my sadness and if she knew I loved her unconditionally.”

“A story, I had learned, through my own constant knitting and reknitting of remembered words, can lead us back to ourselves, to our lost innocence, and in the shadow it casts over our present world, we begin to understand what we only intuited in our naivété - that while all else may vanish, love is our one eternity. It reflects itself in joy and grief, in my fathers sudden knowledge that he would not live to protect me, and in his determination to leave behind a part of himself - his spirit, his humanity - to illuminate my path, give light to my darkened world. He carved his silhouette in the memory of the sky for me to return to again and again.”