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“One's own duty, though devoid of merit, is preferable to the duty of another well performed. Even death in the performance of one's own duty brings blessedness; another's duty is fraught with fear. (Chapter III, Shloka- 35)”

Quote by Gita Press

Book:The Bhagavad Gita
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The Bhagavad Gita

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Gita Press

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“Therefore, perform your allotted duty; for action is superior to inaction. Desisting from action, you cannot even maintain your body. (Chapter-III, Shloka- 8)”

PhilosophyDutyIndianKrishnaMahabharataArjunaBhagwad GeetaKarmayoga
Book:श्रीमद्भगवद्गीता पदच्छेद, अन्वय, साधारण भाषाटीकासहित
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“Shri Krishna never meant, “Keep on doing Karmas and don’t bother about the fruits or outcome.” It was mistranslated and misunderstood. Imagine you are sitting in the examination hall. Would you worry about your marks and start calculating your marks or would you concentrate on attempting the answer to the question to your best? Shri Krishna meant, “While doing your Karma, you should concentrate only on your performance, not on results.”

KarmaVikrmnCa Vikram VermaKrishnaGitaKrishna QuotesShri Krishna QuotesBhagwan KrishnaArjuna
Book:Krishna Crux
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“A real education will not teach you to compete; it will teach you to cooperate. It will not teach you to fight and come first. It will teach you to be creative, to be loving, to be blissful, without any comparison with the other.. A real education will not teach you to be the first. It will tell you to enjoy whatsoever you are doing, not for the result but for the act itself. Just like a painter or a dancer or a musician…. You can paint in two ways. You can paint to compete with other painters; you want to be the greatest painter in the world, you want to be a Picasso or a Van Gogh. Then your painting will be second-rate, because your mind is not interested in painting itself; it is interested in being the first, the greatest painter in the world. You are not going deep into the art of painting. You are not enjoying it, you are only using it as a stepping- stone. You are on an ego trip. And the problem is: to really be a painter, you have to drop the ego completely. To really be a painter, the ego has to be put aside. Only then can God flow through you. Only then can he use your hands and your fingers and your brush. Only then something of superb beauty can be born. It is never BY you but only THROUGH you. Existence flows; you become only a passage. You allow it to happen, that's all; you don't hinder, that's all. But if you are too interested in the result, the ultimate result - that you have to become famous, that you have to win the Nobel Prize, that you have to be the first painter in the world, that you have to defeat all other painters hitherto - then your interest is not in painting; painting is secondary. And of course, with a secondary interest in painting you can't paint something original; it will be ordinary. Ego cannot bring anything extraordinary into the world; the extraordinary comes only through egolessness. And so is the case with the musician and the poet and the dancer. And so is the case with everybody. In the Gita, Krishna says: Don't think of the result at all. It is a message of tremendous beauty and significance and truth. Don't think of the result at all. Just do what you are doing with your totality. Get lost into it. Lose the doer in the doing. Don't be - let your creative energies flow unhindered. That's why he said to Arjuna, "Don't escape from the war... because I can see this is just an ego trip, this escape. The way you are talking simply shows that you are calculating: that you are thinking that by escaping from the war you will become a great mahatma. Rather than surrendering to God, to the whole, you are taking yourself too seriously: as if, if you are not there, there will be no war." Krishna says to Arjuna, "Listen to me. Just be in a state of let-go. Say to God, 'Use me in whatsoever way you want to use me. Use me! I am available, unconditionally available.' Then whatsoever happens through you will have a great authenticity about it. It will have intensity, it will have depth. It will have the impact of the eternal on it. It will be signed by God, not by you. And you will rejoice because God has chosen you to be a vehicle.”

EnjoyCreativityEgoEducation SystemMahabharataVan GoghArjunaEgo TripLord KrishnaPicasso
Author:Osho
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“Princess Cookie’s cognitive pathways may have required a more comprehensive analysis. He knew that it was possible to employ certain progressive methods of neural interface, but he felt somewhat apprehensive about implementing them, for fear of the risks involved and of the limited returns such tactics might yield. For instance, it would be a particularly wasteful endeavor if, for the sake of exhausting every last option available, he were even to go so far as resorting to invasive Ontological Neurospelunkery, for this unorthodox process would only prove to be the cerebral equivalent of tracking a creature one was not even sure existed: surely one could happen upon some new species deep in the caverns somewhere and assume it to be the goal of one’s trek, but then there was a certain idiocy to this notion, as one would never be sure this newfound entity should prove to be what one wished it to be; taken further, this very need to find something, to begin with, would only lead one to clamber more deeply inward along rigorous paths and over unsteady terrain, the entirety of which could only be traversed with the arrogant resolve of someone who has already determined, with a misplaced sense of pride in his own assumptions, that he was undoubtedly making headway in a direction worthwhile. And assuming still that this process was the only viable option available, and further assuming that Morell could manage to find a way to track down the beast lingering ostensibly inside of Princess Cookie, what was he then to do with it? Exorcise the thing? Reason with it? Negotiate maybe? How? Could one hope to impose terms and conditions upon the behavior of something tracked and captured in the wilds of the intellect? The thought was a bizarre one and the prospect of achieving success with it unlikely. Perhaps, it would be enough to track the beast, but also to let it live according to its own inclinations inside of her. This would seem a more agreeable proposition. Unfortunately, however, the possibility still remained that there was no beast at all, but that the aberration plaguing her consciousness was merely a side effect of some divine, yet misunderstood purpose with which she had been imbued by the Almighty Lord Himself. She could very well have been functioning on a spiritual plane far beyond Morell’s ability to grasp, which, of course, seared any scrutiny leveled against her with the indelible brand of blasphemy. To say the least, the fear of Godly reprisal which this brand was sure to summon up only served to make the prospect of engaging in such measures as invasive Ontological Neurospelunkery seem both risky and wasteful. And thus, it was a nonstarter.”

ConsciousnessPataphysicsFairy TalesSurrealismBlasphemyAberrationBlack HumorExorcismAbsurdismMetafictionNeuroscience Of Free WillOntological NeurospelunkeryEcumenical PsychofragmentismSpiritual PlaneWilds Of The Intellect
Book:Only the Deplorable
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“If the new building is generally recognisable as falling within a mnemotype category then that mnemotype is adjusted to accommodate the novel elements in the building. The mnemotype can be considered as a template with adjustable edges. Each new architectural experience fractionally changes our perception of the whole spectrum of architecture in much the same way that T.S. Eliot considered every new poem to change the whole corpus of poetry. However, a building which allegedly belongs to a given mnemotype, but which threatens radically to change the shape of the template, is frequently greeted with hostility and rejected as an aberration.”

Aberration
Book:The Dynamics of Delight
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