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Quote by Anna Hope

“How do you stand it?" she said. "Stand what?" "All... this." Ella threw out her arm. "Does it not make you mad?" Clem glanced up. 'Much madness is divinest sense,' She said, and gave a small laugh. "There are plenty of mad women in here. I'm not sure I'm one of them though." She shrugged. "You'll get used to it.”

Quote by Anna Hope

Book:The Ballroom
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The Ballroom

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Anna Hope

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“Of Love and Other Demons (Vintage International) - Gabriel GarcÍA MÁRquez (Highlight: 5; Note: 0) ------------- "Crazy people are not crazy if one accepts their reasoning." (Chapter:Chapter Two) "What is essential, therefore, is not that you no longer believe, but that God continues to believe in you. And regarding that there can be no doubt, for it is He in His infinite diligence who has enlightened us so that we may offer you this consolation.”" (Chapter:Chapter Two) "Disbelief is more resistant than faith because it is sustained by the senses" (Chapter:Chapter Two) "Take care,” said Delaura. “Sometimes we attribute certain things we do not understand to the demon, not thinking they may be things of God that we do not understand.”" (Chapter:Chapter Three) ". He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. " (Chapter:Chapter Five)”

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“Greatness needs courage (above all) and willpower, charisma, intelligence and creativity but it also demands characteristics that we often associate with the least admirable people: reckless risk-taking, brutal determination, sexual thrill-seeking, brazen showmanship, obsession close to fixation and something approaching insanity. In other words, the qualities required for greatness and wickedness, for heroism and monstrosity are not too far distant from each other. The Norwegians alone have a word for this: stormannsgalskap – the madness of great men.”

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Book:Titans of History
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“The Sad Boy Ay, his old mother was a glad one. And his poor old father was a mad one. The two begot this sad one. Alas for the single shoe The Sad Boy pulled out of the rank green pond, Fishing for fairies On the prankish advice Of two disagreeable lovers of small boys. Pity the unfortunate Sad Boy With a single magic shoe And a pair of feet And an extra foot With no shoe for it. This was how the terrible hopping began That wore the Sad Boy thin and through To his only shoe And started the great fright in the provinces above Brent Where the Sad Boy became half of himself To match the beautiful boot He had dripped from the green pond. Wherever he went weeping and hopping And stamping and sobbing, Pounding a whole earth into a half-heaven, Things split where he stood Into the left side for the left magic, Into no side for the missing right boot. Mercy be to the Sad Boy Scamping exasperated After a wide boot To double the magic Of a limping foot. Mercy to the melancholy folk On the Sad Boy's right. It was not for want of wandering He lost the left boot too And the knowledge of his left side, But because one awful Sunday This dear boy dislimbed Went back to the old pond To fish up another shoe And was quickly (being too light for his line) Fished in. Gracious how he kicks now All the little ripples up! The quiet population of Brent has settled down, And the perfect surface of the famous pond Is slightly pocked, marked with three signs, For visitors come to fish for souvenirs, Where the Sad Boy went in And his glad mother and his mad father after him.”

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Book:The Poems of Laura Riding: A Newly Revised Edition of the 1938-1980 Collection
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