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Quote by Ken Hutcherson

“If you remove Al Sharpton’s blackness, he disappears. He’s transparent. There’s nothing there because he bases his whole life on his blackness. Me, I’m a black man; but my blackness has submission to my Christianity.”

Quote by Ken Hutcherson

Author

Ken Hutcherson
Ken Hutcherson

Ken Hutcherson was an American football linebacker who played in the NFL. Born on July 14, 1952, and passing away on December 18, 2013, Hutcherson spent his entire professional career with the Seattle Seahawks, making significant contributions to the team's defense. more

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“Racism has permeated psychology and psychiatry from its genesis. Early clinicians came from white, European backgrounds, and used their culture's social norms as the basis for what being healthy looked like. It was a very narrow and oppressive definition, which assumed that being genteel, well-dressed, well-read, and white were the marks of humanity, and that anyone who deviated from that standard was not a person, but an animal in need of being tamed.”

“While in college I was a member of the Black Panther Party, defunct as it was, mainly because I felt I had to prove I was black enough. Some people in the society in which I live, described as being black, tell me I am not black enough. Some people whom the society calls white tell me the same thing. I have heard this mainly about my novels, from editors who have rejected me and reviewers whom I have apparently confused and, on a couple of occasions, on a basketball court when upon missing a shot I muttered Egads.”

“Many black intellectuals spoke about the experience of racism mainly, and sometimes exclusively, from a black male perspective, highlighting the various ways their humanity had been degraded and denied. While this discussion was something I cared about deeply, it was rarely balanced with one about all the unique ways in which black women have suffered. Even the scholars who spoke about race without focusing so much on the particular experience of black men still failed to fully capture and dissect the compounded challenges black women faced as they dealt with racism and sexism. The result of discussions of race being unfairly tilted toward the male point of view is that the experiences of black women have taken a backseat to those of black men, although they've suffered in ways that black men haven't. Racism and sexism were stacked against them. And too often they've borne the brunt of the very masculinity that has been historically debased in black men when black men asserted their power over the only people they could - black women...The hard truth is that black men have contributed to these struggles both subtly and overtly...we contribute to the degradation of black women by glorifying the kind of common rap that reduces them to bitches, hoes, and body parts.”

“That morning, like every morning, the first decision he made regarded his Blackness. His skin was a deep, constant brown. In public, when people could actually see him, it was impossible to get his Blackness down to anywhere near a 1.5. If he wore a tie, wing-tipped shoes, smiled constantly, used his indoor voice, and kept his hands strapped and calm at his sides, he could get his Blackness as low as 4.0.”

“I wasn’t allowed to be and stay what I was,” says Paul D. So, what is the being of blackness? Ultimately, (anti)blackness appears to be a matrix: a mold, a womb, a binding substance, a network of intersections, functioning as an encoder or decoder. It is an essential enabling condition for something of, but distinguishable from, its source—and therefore, it performs a kind of natality, performing a generative function rather than serving as an identity. If (anti)blackness is a matrix, then the normative conception of “the human” and the entire set of arrangements Sweet Home allegorizes have their source in abject blackness. In the process of distinguishing itself from blackness, normative humanity nevertheless bears the shadowy traces of blackness’s abject generativity. As “the defined” rather than the “definers,” the enslaved’s abjection places blackness under the sign of the feminine, the object, matter, and the animal regardless of sex.”