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Garima Soni

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“Kessler depicts his developing intimacy with a handful of dairy goats and offers an enviable glimpse of the pastoral good life. Yet he also cautions, "Wherever the notion of paradise exists, so does the idea that it was lost. Paradise is always in the past." The title Goat Song is a literal rendering of the Greek word traghoudhia, tragedy. Reading it, I was reminded of Leo Marx's analysis of Thoreau's Walden. In The Machine in the Garden, Marx names Thoreau a tragic, if complex pastoralist. After failing to make an agrarian living raising beans for commercial trade (although his intent was always more allegorical than pecuniary), Thoreau ends Walden by replacing the pastoral idea where it originated: in literature. Paradise, Marx concludes, is not ultimately to be found at Walden Pond; it is to be found in the pages of Walden.”

LostNatureParadiseMarxThoreauWaldenPastoralWalden PondPastoralist
Book:Life of Cheese: Crafting Food and Value in America (California Studies in Food and Culture)
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“I mean, time may seem boundless and infinite, but the boundlessness and infinity only reinforces the limitations of time, because it shows our limited ability to reach the unlimitedness of time. Because of our mortality and the need for punctuality, we have no other choice but to be limited by time. I am limited by time. I don’t have infinite amounts of time to write this essay, let alone write every essay I want to write in the future, which ultimately can simplify to: “I don’t have infinite amounts of time to live.”

TimeMortalityPunctualityLimitlessness
Book:The Reformation
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