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Quote by Cassandra Clare

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Lady Midnight

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Author

Cassandra Clare
Cassandra Clare

Cassandra Clare is a renowned American author, best known for her young adult fantasy novel series, 'The Mortal Instruments'. Her works blend elements of magic, romance, and adventure, captivating young readers worldwide. more

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“After every battle, he ritually dips his hood into the blood of his enemies. I’ve seen the hood, kept under glass in the armory. The fabric is stiff and stained a brown so deep it’s almost black, except for a few smears of green. Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.”

FantasyYoung AdultHolly BlackOrphanFaeriesFair FolkTcp
Book:The Cruel Prince
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“For no matter whether the fairies are seen metaphorically or as real beings inhabiting their own real world, a study of them shows us that those who came before us (and many of that mindset still survive) realized that we are -- no matter what we may think to the contrary -- very little creatures, here for a short time only ('passing through,' as the old people say) and that we have no right to destroy what the next generation will most assuredly need to also see itself through. If only we could learn that lesson, maybe someday we might be worthy of the wisdom of those who knew that to respect the Good People is basically to respect yourself.”

Good PeopleEnvironmentalismFairiesIrish FolkloreFair FolkEddie Lenihan
Book:Meeting the Other Crowd : The Fairy Stories of Hidden Ireland
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“I adored your fluttering touches and effervescent kisses nestled among great roots. The sunlight dappling your shoulders. Vines curling in your hair. Our cheeks burning. Wandering through hidden places. A secret love skirting the shadows. The water and wind sang for us. The trees danced with us. The beetles whispered their blessings. We ate the plump wild-berries. I soon found my mouth bitter and stained. Your petal-soft love turned to thorns. The mist faded in the bright morning but left me cold and damp. The mossy ground charred. My lips starved and bleeding.”

NatureFaeFairiesFaeriesFair Folk
Author:Keelie Breanna
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“You are the sum total of the people you meet and interact with in the world. Whether it’s your family, peers, or co-workers, the opportunities you have and the things that you learn all come through doors that other people open for you.”

InterdependenceSocial CapitalHabitusCultural CapitalInter Relatedness
Book:Some of My Best Friends Are Black: The Strange Story of Integration in America
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“Habitus maintains our social comfort and helps us regain it when those around us do not act in familiar and acceptable ways. .... Thus, white fragility is a state in which even a minimum amount of racial stress in the habitus becomes intolerable, triggering a range of defensive moves. .... These behaviors, in turn, reinstate white racial equilibrium.”

White FragilityHabitus
Book:White Fragility: Why It's So Hard for White People to Talk About Racism
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“Being an elite is not a mere possession or something "within" an actor (skills, talents, and human capital); it is an embodied performative act enabled by by both possessions and the inscriptions that accompany experiences within elite institutions (schools, clubs, families, networks, etc.). Our bodily tastes, dispositions, and tendencies are not simply something we're born with; they are things that are produced through our experiences in the world. Not only do they occur in our minds, but they are things we enact repeatedly so that soon these performances look less and less like an artificial role we're playing- a role that might advantage us- and instead look more and more like just who we naturally are.”

ElitesWorking ClassEmbodimentHabitus
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“By habitus, I mean dispositions that inhere and mold the deepest, subtlest, intricate structures of personhood, are constituted and emergent in the most elusive folds and lineaments of consciousness, and are articulated in lastingly resilient, enduring textual tapestries of experience, orientations, desires. The range of habitus is deep and broad: habitus forms the long arc of evolutionary developments and arrangements of the body in action and at rest, posture, gait, stance, and gesture; it is the silent teacher of the phonemic alphabet, determining subtle distinctions of timbre and tone, accents and intonations in voice articulations; it is the subcutaneous, ingrained dynamic inhering in daily competencies, executed flawlessly and yet seemingly unconsciously, such as balancing huge loads the size of a person’s body weight on the head as Kikuyu women often do, or walking fearlessly on narrow glacial paths through plunging cliffs as the Sherpas do, or weaving in and out of traffic while engaged in deep conversations on a cell phone as Californians do. Habitus describes the imbrication of structure and culture in desire. It is what defines subtle distinctions of taste, those almost ineffable differences of sweetness, succulence, spiciness, and bitterness in food and drink; the raging fetishes and unbidden cravings that shadow sexuality; the fickle difference between scents that intoxicate or trigger upheavals of wretching. Habitus, then, is “human nature” understood as the deep penetration of sociality with biology in such a manner that it is the motor of self, of choice, of vocation.”

CulturePoliticsEmbodimentHabitus
Book:Groundwork for the Practice of the Good Life: Politics and Ethics at the Intersection of North Atlantic and African Philosophy
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