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Quote by Carol Grace

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Her Italian Billionaire

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Carol Grace
Carol Grace

Carol Grace, born on September 11, 1924, was an accomplished American actress renowned for her performances in films and television during the 1950s and 1960s. She was beloved for her elegant image and acting prowess, playing significant roles in several classic films. more

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“California and Italy are about the same size. Roughly speaking, California contains about 150,000 square miles, Italy about 120,000 square miles. They are not dissimilar in physical characteristics. They extend over a long distance from north to south, and each has an extensive coastline. Each is destitute of coal mines. Each produces large quantities of wheat. Each produces citrus and other fruits, olives, wine, and raisins. The climate is about the same, although California's is superior. They are in about the same zone. Rome lies in about the same latitude as San Francisco. Our state is one of the richest and most fertile of all the United States. Yet suppose that California were as populous as Italy—someday it will be. Suppose it had a population of millions. Could California, even with its vast resources, support an army of a quarter of a million men as Italy does? She could do it only as Italy does, by grinding the people into the dust with oppressive taxation.”

CaliforniaItaly
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“Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.”

ItalySienaRoger Allam
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