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Quote by A.A. Patawaran

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Manila Was A Long Time Ago - Official

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A.A. Patawaran

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“Here, then, happiness is obviously a form of strength, a subversion even, a modus of survival, even if at times it appears superficial and misplaced. Besides, for all of boxing's brutality, there is lyricism in its rhythm, too, something that dreamy, romantic Filipinos perhaps recognize. It is almost too facile to ascribe too much significance in this metaphor, but this incongruous combination of lyrical violence is default in Manila, where beauty is scarce, and which flourishes side by side with the hideous. There is pride in that stubborn independence, I think, whether it is on the canvas of a boxing ring or history. How did that killer song end again? The record shows I took the blows and did it my way.”

ViolenceBoxingManila
Book:The Quiet Ones
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“The PBA was a symptom of the Philippines' basketball obsession, not the cause. I was thrilled to be witnessing the professional game from inside Alaska's locker room, but that wasn't what brought me to Manila in the first place. I was inspired by the idea that a Southeast Asian nation populated by five-foot-five men and mostly forgotten by America except for its political corruption, widespread prostitution, and violent Muslim separatist movement could be devoted to hoops with a passion unequaled by any other country. It was a nationwide tale of unrequited love. Forty million short men obsessed with basketball--they might as well have been a nation of blind art historians.”

BasketballPhilippinesManilaHoops
Book:Pacific Rims: Beermen Ballin' in Flip-Flops and the Philippines' Unlikely Love Affair with Basketball
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