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Boxing Quotes

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Boxing Quotes

“. . . there are two types of fighters, the former strike all over the place hoping one would land, the latter, assured of their prowess and capabilities, hit once and destroy the opponent's desire to continue the fight”

“She pursued his lips,' Zach laughs. 'Another one I misread! Pursued for "pursed." You know. She pursed her lips. So whenever you do that now, reach out and touch my lips to shut me up? I think, she pursued his lips.' 'That's so silly,' smiles Rachel. 'I know that. Now I'm pursuing your lips,' he adds. When Zach kisses her, Rachel is often aware of the pulse in his lower labial, a small heartbeat there. She is aware of a pulsing and a slight thickening of tissue. How many times has this boy bled from his mouth? How many times.”

“I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.”

“Only boxers can understand the loneliness of tennis players - and yet boxers have their corner men and managers. Even a boxer's opponent provides a kind of companionship, someone he can grapple with and grunt at. In tennis you stand face-to-face with the enemy, trade blows with him, but never touch him or talk to him, or anyone else. The rules forbid a tennis player from even talking to his coach while on the court. People sometimes mention the track-and-field runner as a comparably lonely figure, but I have to laugh. At least the runner can feel and smell his opponents. They're inches away. In tennis you're on an island. Of all the games men and women play, tennis is the closest to solitary confinement....”

“One way, he thought, the whole thing of ring fighting was hurting somebody else, deliberately, and particularly when it was not necessary. Two men who have nothing against each other get in a ring and try to hurt each other, to provide vicarious fear for people with less guts than themselves. And to cover it up they called it sports and gambled on it. He had never looked at that way before, and if there was any single thing he could not endure it was to be a dupe.”

“You know how there are words that never really—they are never really quite right. You can't quite trust them. Use them. You know. Without pause.' 'There are words I stare at,' Zach says. 'Strange. Every time. Misled, that's one. I see mizzled. And unshed. I read unched.' 'Me too! But that's a different thing—except, now you mention it, it's odd about unshed, that it's only for tears. Mostly. Hardly ever blood, for instance, you don't see unshed blood. Unched. Not really.' 'Not in my case anyway. Mine sheds all over the joint! I'm a bleeder all right.”

“Simplicity matters. Especially when it comes to the muscle memory of boxing. That is perhaps rule number one. Simplicity works. Simplicity is repetition. Repetition is function. Boil function down to one action, maybe two. Left or right. Simplicity. Simplicity is really the hardest thing.”

“He can hit a man in the liver so the blood flow stops. It takes a full second before the pain registers and the man falls. I've seen Billy hook men's livers and punch at their hearts. I've seen him break a man's nose in the ring, shatter an eardrum, close an eye. I've seen him hit a man so hard, fist to jaw, the man seemed to fall asleep before he fell, his body so relaxed his face looked calm even when his head slammed against canvas.”

“«Il secondo capitolo è molto importante, Marcus. Dev'essere incisivo, d'impatto.» «In che senso, Harry?» «È come nella boxe. Tu sei destro, e quando attacchi porti sempre avanti per primo il sinistro: con quello stordisci l'avversario, poi arriva la combinazione di destro con cui mandarlo al tappeto. È così che dev'essere il tuo secondo capitolo: un diretto sulla mascella dei lettori.»”

“Here, then, happiness is obviously a form of strength, a subversion even, a modus of survival, even if at times it appears superficial and misplaced. Besides, for all of boxing's brutality, there is lyricism in its rhythm, too, something that dreamy, romantic Filipinos perhaps recognize. It is almost too facile to ascribe too much significance in this metaphor, but this incongruous combination of lyrical violence is default in Manila, where beauty is scarce, and which flourishes side by side with the hideous. There is pride in that stubborn independence, I think, whether it is on the canvas of a boxing ring or history. How did that killer song end again? The record shows I took the blows and did it my way.”

“My first sparring session with him saw him bullying me around the ring, so I thought fuck this, and when he came back in close, I threw the boxing code of conduct out of the window and hit him with a cracking right hand in to the balls! That sapped the energy out of him and that was the end of that. In the end, I could take anything he threw at me and then I’d come back with mine, which he didn’t like and people would comment on how much I’d ‘come on’.”

“I could not tell anymore how much of the screaming came from my own mouth. I was borne up on the swell of it, I was the sound. We were all howling together, the poor and the quality, the boxing girl and the beast inside my breast. If she was a madwoman, then we were all of us with her, and I had never felt such savage elation, nor known that it existed.”