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Kung Fu Quotes

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Kung Fu Quotes

“Okay. I’m not a white male. At least, not predominantly so. And as I mentioned before, I’m in an environment right now where race is really important. See, Chinese men are not that physically intimidating. We’re not that tall. We’re not that built. We have exactly one thing going for us in a fight — that our opponent recognizes that there’s a possibility, no matter how remote, that we might know kung-fu.”

“. . in Old Karate, you learned you Art through pain. You learned quickly that your techniques had to be fast or powerful or both. If you did not embrace pain and it's lessons adequately, you simply did not survive”

“Radia Hosni, mhitimu wa mikanda miwili myeusi ya sanaa za mapigano za kareti na kung’fu katika ngazi ya dani mbili za kung’fu na dani moja ya kareti, mwanajeshi wa Tunisia aliyepata mafunzo ya kawaida ya kijeshi nchini Ufaransa na mafunzo ya kikomandoo nchini Uingereza kabla ya kujiunga na Tume ya Dunia, alikuwa mshindi wa tuzo ya shujaa wa taifa la Tunisia. Hussein Kashoggi alipokuwa akiwasili Tunis kutokea Copenhagen, Radia alikuwa katika Uwanja wa Mpira wa El Menzah akiangalia mechi kati ya Stade Tunisien na Espérance ST – timu ambayo mchumba wake Fathi Meoki alikuwa kocha msaidizi. Fujo zilipozuka, baada ya Stade Tunisien kufungwa bao moja kwa sifuri na Espérance ST, Radia alipanda Quadrifoglio na kuondoka kuelekea Uwanja wa Ndege wa Tunis-Carthage; ambapo alimpokea Hussein Kashoggi na jambazi wa Kolonia Santita, Delfina Moore.”

“Any self-defense situation has the potential to quickly become A 'life and death' situation, therefore your practice of martial arts should be undertaken, as if your very life depends on it . . .”

“Someone said to me the other day, 'you speak of peace because you are afraid to fight'. I smiled and replied, you are absolutely right, I am terrified of fighting, you know why, because if I raise my hands at someone, there'll be no trace of them left. It's ridiculously easily to take life, especially for a biologist with martial arts training, but what makes a human is the capacity to give life.”

“Sonnet of Martial Arts The secret to Martial Arts, Is not style but training. Pick any form that appeals to you, And train regularly without failing. Practice a hundred moves five times, It is of no use whatsoever. But practice one move every day, And it'll be your lifetime protector. But before all that ask yourself, Why do you wanna be a martial artist? Is it to nourish an able mind and body, Or to be yet another fitness narcissist? Trash all your arrogance before training. A martial artist is to be gentle and caring.”

“What you need is some time and effort to work on your remedies and the problems will be overcome as a matter of course. Our chi kung training gives us the mental clarity and a lot of energy to perform the remedies well. The same principles apply to countless people who remain miserable because of their problems. They remain miserable because of the following three reasons: 1. They do not have solutions to their problems. 2. They do not believe the solutions will solve their problems. 3. They do not have the abilities to carry out the solutions. If they can overcome the above three factors, they will find their problems are actually opportunities for improvement”

“I'm speaking of the pursuit of excellence in all things. All things! Presence of mind and devotion to craft. A great artist has these. A great chef. A great master of tea. There's powerful kung fu in a well-built house or an eloquent letter, but the limit of your imagination is bones breaking and bullets flying.”

“I think the kicks in Wing Chun are enough. It´s much easier to use your hands than to use your feet. Your hand is able to reach your opponent long before your foot. Why take the long way to attack (circle), when there is a much more direct method of attack? If you are using your hands, then your opponent can´t see a kick coming if you have to use it. When you teach Kung Fu, you can fool a lot of people, but not yourself. You can make like a movie and do many complicated movements and kicks, but you only fool yourself as to whether that would work in a real situation of life and death.”

“First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game.”

“I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn't cross the ocean. I think it's ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do. I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don't have to be strong.”

“Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.”

“I think we had to push forward to make sure it was different, do something that we had never done before and yet still have the consistency to stay in the same world. This was our chance to do all the things we didn't get a chance to do before. We've been working on these movies [Kung Fu Panda] for twelve years and we have to keep things exciting for us in order for us to devote that many years of our lives to do this.”

“The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].”

“You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work.”

“One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.”