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De Sade: A Critical Biography

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Ronald Hayman

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“Jazz had stayed with her for three hours. Three, long luxurious hours where he'd pleasured her---to use an old-fashioned word---time after time. And what she'd paid for was good old-fashioned romancing. That had taken her by surprise. All of Jazz's attention had been entirely focused on her body, her desires. He'd managed to push buttons that she didn't even know she had. How many women could say that they got the same service from their husbands? He'd been the ultimate professional, the perfect gentleman. It was hard to see this arrangement as a fairly sleazy business contract. Jazz had seemed to enjoy himself too; either that or the man was a damn fine actor. She closed her eyes and a stream of sexy images washed over her. His attaché case had contained a range of potions, lotions and toys to set the scene for a very naughty evening. He'd drizzled chilled champagne all over her body and had lapped it up with his hot tongue. The thought of it made her shiver with delight.”

DebaucheryGigolo
Book:The Chocolate Lovers' Club
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“The streets of downtown Shanghai likewise seemed a continuous freak circus at first, unbelievably alive with all manner of people performing almost every physical and social function in public: yelling, gesturing, always acting, crushing throngs spilling through every kind of traffic, precariously amidst old cars and new ones and between coolies racing wildly to compete for ricksha fares, gingerly past "honey-carts" filled with excrement dragged down Bubbling Well Road, sardonically past perfumed, exquisitely gowned, mid-thigh-exposed Chinese ladies, jestingly past the Herculean bare-backed coolie trundling his taxi-wheelbarrow load of six giggling servant girls en route to home or work, carefully before singing peddlers bearing portable kitchens ready with delicious noodles on the spot, lovingly under gold-lettered shops overflowing with fine silks and brocades, dead-panning past village women staring wide-eyed at frightening Indian policemen, gravely past gambling mah-jongg ivories clicking and jai alai and parimutuel betting, slyly through streets hung with the heavy-sweet acrid smell of opium, sniffingly past southern restaurants and bright-lighted sing-song houses, indifferently past scrubbed, aloof young Englishmen in their Austins popping off to cricket on the Race Course, snickeringly round elderly white gentlemen in carriages with their wives or Russian mistresses out for the cool air along the Bund, and hastily past sailors looking for beer and women—from noisy dawn to plangent night the endless hawking and spitting, the baby's urine stream on the curb, the amah's scolding, the high falsetto of opera at Wing On Gardens where a dozen plays went on at once and hotel rooms next door filled up with plump virgins procured for wealthy merchants in from the provinces for business and debauch, the wail of dance bands moaning for slender bejeweled Chinese taxi dancers, the whiteness of innumerable beggars and their naked unwashed infants, the glamour of the Whangpoo with its white fleets of foreign warships, its shaggy freighters, its fan-sailed junks, its thousand lantern-lit sampans darting fire-flies on the moon-silvered water filled with deadly pollution. Shanghai!”

ChinaCommunismDebaucheryShanghai20th Century Shanghai
Book:Journey to the Beginning
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“Everywhere was the atmosphere of a long debauch that had to end; the orchestras played too fast, the stakes were too high at the gambling tables, the players were so empty, so tired, secretly hoping to vanish together into sleep and ... maybe wake on a very distant morning and hear nothing, whatever, no shouting or crooning, find all things changed.”

JazzEmptinessGamblingOrchestraTirednessDebauchery1920sLost Generation
Book:Exile's Return: A Literary Odyssey of the 1920s
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“I was never happier than on the nights we stayed home, lying on the living room rug. We talked about classes and poetry and politics and sex. Neither of us were in love with the Iowa Writers' Workshop, but it didn't really matter because we had no place else to go. What we had was the little home we made together, our life in the ugly green duplex. We lived next door to a single mother named Nancy Tate who was generous in all matters. She would drive us to the grocery store and give us menthol cigarettes and come over late at night after her son was asleep to sit in our kitchen and drink wine and talk about Hegel and Marx. Iowa City in the eighties was never going to be Paris in the twenties, but we gave it our best shot.”

Ann PatchettIowa CityIowa Writers WorkshopLucy Grealy
Book:Truth & Beauty
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