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Quote by Donna Cunningham, The Stellium Handbook: understanding your chart’s dominant sign.

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Donna Cunningham, The Stellium Handbook: understanding your chart’s dominant sign.

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“When Adolf Hitler became chancellor of Germany on January 30, 1933, his conservative allies, headed by Deputy Chancellor Franz von Papen, along with those conservative and nationalist leaders who supported von Papen’s Hitler experiment, expected to manage the untrained new head of government without difficulty. They were confident that their university degrees, experience in public affairs, and worldly polish would give them easy superiority over the uncouth Nazis. Chancellor Hitler would spellbind the crowds, they imagined, while Deputy Chancellor von Papen ran the state. Hitler’s conservative allies were not the only ones to suppose that Nazism was a flash in the pan. The Communist International was certain that the German swing to the Right under Hitler would produce a counterswing to the Left as soon as German workers understood that democracy was an illusion and turned away from the reformist social democrats. “The current calm after the victory of Fascism is only temporary. Inevitably, despite Fascist terrorism, the revolutionary tide in Germany will grow. . . . The establishment of open Fascist dictatorship, which is destroying all democratic illusions among the masses and is freeing them from the influence of the Social Democrats, will speed up Germany’s progress toward the proletarian revolution.” Against the expectations of both Right and Left, Hitler quickly established full personal authority. The first period of Nazi rule saw the Gleichschaltung, the bringing into line, not only of potential enemies but also of conservative colleagues. The keys to Hitler’s success were his superior audacity, drive, and tactical agility; his skillful manipulation (as we saw in the previous chapter) of the idea that imminent communist “terror” justified the suspension of due process and the rule of law; and a willingness to commit murder.”

FascismConservatismHitlerLeft And RightDefying Expectations
Book:The Anatomy of Fascism
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“we live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. the martyrs go hand in hand into the arena; they are crucified alone. embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. by its very nature every embodied spirit is doomed to suffer and enjoy in solitude. sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. we can pool information about experiences, but never the experiences themselves. from family to nation, every human group is a society of island universes. most island universes are sufficiently like one another to permit of inferential understanding or even of mutual empathy or “feeling into”. thus, remembering our own bereavements and humiliations, we can condole with others in analogous circumstances, we can put ourselves (always, of course, in a slightly pickwickian sense) in their places. but in certain cases communication between universes is incomplete or even nonexistent. the mind is its own place, and the places inhabited by the insane and the exceptionally gifted are so different from the places where ordinary men and women live, that there is little or no common ground of memory to serve as a basis for understanding or fellow feeling. words to which the symbols refer belong to mutually exclusive realms of existence.”

InspirationalPhilosophy Of LifeDoors Of PerceptionAldous Huxley
Book:The Doors of Perception
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“The books written by Paul Valéry, Walter Benjamin, Ludwig Wittgenstein, Marshall McLuhan, Gilles Deleuze, Douglas Hofstadter, and Niklas Luhmann can be understood as attempts to do justice to the New Media world at a level of technical depiction. And what is more: these books are no longer books in the strict sense of the word, but mosaics consisting of quotations and fragments of thought. They perform an art of writing which might be called cinematic - composing books as if they were movies. These books try to burst through the limits of the book form. Of course, most of these attempts have failed. But even this failure is instructive. The information processing system ‘book’ is clearly no longer up to the complexity of our social systems. For this reason, authors who are aware of this and yet want to remain authors, organise their books according to structures and patterns taken from nonlinear information processing systems (BoIz, 1994, p. 2).”

Doors Of Perception19941993MediamaticThe Deluge Of Sense
Author:Norbert Bolz
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“O que nós outros só vemos sob a influência da mescalina pode, a qualquer tempo, ser visto pelo artista, graças à sua constituição congênita. Sua percepção não está limitada ao que é biológica ou socialmente útil. Algo do saber inerente à Onisciência flui através da válvula redutora do cérebro e do ego e atinge sua consciência. Isso lhe dá um conhecimento do valor intrínseco de tudo que existe.”

ArtistDoors Of PerceptionAldous HuxleyMescaline
Book:The Doors of Perception & Heaven and Hell
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