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Quote by Virginia Chandler

“There are well known Arthurian figures in the book, and some not so well known. Mabon plays a pivotal role in the tale as the Motherless Child who helps Rhowbyn, the narrator of the tale, to find and reconcile with his missing parent. Th ere is a game of riddles in which Mabon and Rhowbyn engage that is both an homage to Tolkien and a nod of acknowledgement to events from 'The Mabinogion' and specifically the tale of Culwch and Olwen”

Quote by Virginia Chandler

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Virginia Chandler

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“Une heure avant, je me dis toujours : "Tiens, je vais déjeuner avec Perceval, ça me fait plaisir". [...] Ça vous la coupe, ça, hein ? Bon, après, une fois que j'ai bouffé avec vous, je regrette, hein, on est d'accord. Arrivé au milieu du repas, j'ai toujours envie de vous éclater le crâne avec le tranchant de la coupe, là, vous voyez, pour vous faire... fermer votre gueule une bonne fois pour toutes... mais sinon... je vous aime.(Arthur à Perceval)”

“On y voit comme à travers un pelle là-dedans... Hé lumières!!! Pff bande de fainéants... Ah ça, pour roupiller, vous êtes fortiche (s'esclaffe) Les chevaliers de la Table Ronde... CHEVALIERS DE MES DEUX !!! Chuis p... chuis pas roi, moi ? C'est p..., c'est pas moi le roi ?! (dégainant Excalibur) Et ça, c'est du nougat ??? Tout seul, je vais le chercher le Graal, moi, et la vie éternelle, c'est pour bibi !!! Et vous, vous irez vous gratter!!!”

“In the Medieval poem, we are surrounded by Winter, but I always imagined the Green Chapel and the castle of Lord and Lady Bercilak in all seasons. I was quite convinced (and still am) that Gawain did not return to Camelot immediately after his initiatory encounter with the Green Knight. That's where 'The Green Knight's Apprentice' began, I think, in my imaginings of what Gawain would learn and experience after his initiation was complete”

“The Lord and Lady of the Fair Folk sat at our own table, dressed in robes of red and black, their faces painted in patterns with ash and oils. Their eyes were intense, almost searing, and I found myself still unable to hold their gaze for more than a moment. I felt naked within their gaze, but even more so, unwhole. As if there were parts of me missing and only they knew where to find them”

“As we rode slowly through the battle camp, the sounds and smells of war overwhelmed my senses: horses stamping and sweating in anticipation; men shouting; the steady rhythm of metal grinding on stone; leather snapping and buckling, and woo d crackling in flame. The simmering energy of warriors as they eagerly awaited battle slithered through the camp like an invisible serpent”

“I suppose it could be said that indeed all my roads to Arthur have led to my novel, The Green Knight’s Apprentice. I read Malory when I was very young and my first reading left me with very v ivid images that haunt me still: white stags, headless damsels, horns hanging from tree limbs, and giants. Oh yes, I had the usual sword in the stone, lady of the lake, and Holy Grail images, too, I assure you.”