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Quote by Kathleen Jamie

“[…on a Corncrake call…] Fairy music is said to do this; to lead a man on in his confusion and drunkenness, to start, then stop, then begin again from another place, ever luring him on. This was not a beautiful music, it has to be said; hardly the art of fairies. Mind you, it could be a goblin carpenter, sawing away at his little workbench, if you’d had a few too many at the island disco and were of a fanciful mind.”

Quote by Kathleen Jamie

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Findings

This book is a compilation of thoughtful essays and insightful observations that delve into a wide range of topics, offering readers a glimpse into the author's perspectives on diverse subjects. more

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Kathleen Jamie

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“Ancient life was all silence. In the nineteenth century, with the invention of the machine, Noise was born. Today, Noise triumphs and reigns supreme over the sensibility of men. For many centuries life went by in silence, or at most in muted tones. The strongest noises which interrupted this silence were not intense or prolonged or varied. If we overlook such exceptional movements as earthquakes, hurricanes, storms, avalanches and waterfalls, nature is silent.”

“Every manifestation of our life is accompanied by noise. The noise, therefore, is familiar to our ear, and has the power to conjure up life itself. Sound, alien to our life, always musical and a thing unto itself, an occasional but unnecessary element, has become to our ears what an overfamiliar face is to our eyes. Noise, however, reaching us in a confused and irregular way from the irregular confusion of our life, never entirely reveals itself to us, and keeps innumerable surprises in reserve.”

“At first the art of music sought purity, limpidity and sweetness of sound. Then different sounds were amalgamated, care being taken, however, to caress the ear with gentle harmonies. Today music, as it becomes continually more complicated, strives to amalgamate the most dissonant, strange and harsh sounds. In this way we come ever closer to noise-sound. This musical evolution is paralleled by the multipication of machines, which collaborate with man on every front. Not only in the roaring atmosphere of major cities, but in the country too, which until yesterday was totally silent, the machine today has created such a variety and rivalry of noises that pure sound, in its exiguity and monotony, no longer arouses any feeling. To excite and exalt our sensibilities, music developed towards the most complex polyphony and the maximum variety, seeking the most complicated successions of dissonant chords and vaguely preparing the creation of musical noise.”

“And their voices had a keenly musical quality. It wasn't that the animal people barked out literal instrumental notes or sand when they spoke. Rather, their words ignited emotional responses Nina had previously only experienced through music. When they were worried, she experienced the squeals of violins, the quick-heartbeat thrum of a thriller soundtrack. Risk and Reign's bickering had the impact of a rattling gourd and snare drum. Oli's hopeful questions were reminiscent of the lo-fi hip-hop Nina played when she studied.”

“जीना मुश्किल है कि आसान ज़रा देख तो लो लोग लगते हैं परेशान ज़रा देख तो लो फिर मुक़र्रिर कोई सरगर्म सर-ए-मिंबर है किस के है क़त्ल का सामान ज़रा देख तो लो ये नया शहर तो है ख़ूब बसाया तुम ने क्यूँ पुराना हुआ वीरान ज़रा देख तो लो इन चराग़ों के तले ऐसे अँधेरे क्यूँ है तुम भी रह जाओगे हैरान ज़रा देख तो लो तुम ये कहते हो कि मैं ग़ैर हूँ फिर भी शायद निकल आए कोई पहचान ज़रा देख तो लो ये सताइश की तमन्ना ये सिले की परवाह कहाँ लाए हैं ये अरमान ज़रा देख तो लो”