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Quote by Kamaran Ihsan Salih

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Kamaran Ihsan Salih

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“So I would invent her thoughts, plumb them for a subtext that was historically true in essence, but not strictly factual in order to relate her history to contemporary issues about freedom responsibility, and woman's "place." The heroine would represent the unapologetic acceptance of shame and terror; assume the consequences of choosing infanticide; claim her own freedom. The terrain, slavery, was formidable and pathless.”

“I did it, I got us all out. Without Halle too. Up till then it was the only thing I ever did on my own. Decided. And it came off right, like it was supposed to. We was here. Each and every one of my babies and me too. I birthed them and I got em out and it wasn't no accident. I did that. I had help, of course, lots of that, but still it was me doing it; me saying, *Go on*, and *Now*. Me having to look out. Me using my own head. But it was more than that. It was a kind of selfishness I never knew nothing about before. It felt good. Good and right. I was big, Paul D, and deep and wide and when I stretched out my arms all my children could get in between. I was *that* wide. Look like I loved em more after I got here. Or maybe I couldn't love em proper in Kentucky because they wasn't mine to love. But when I got here, when I jumped down off that wagon-there wasn't nobody in the world I couldn't love if I wanted to. You know what I mean?”

“When I, as a historian, view us en familie, it strikes me that I dwell one story higher than my father and my brother: in rooms where one lives more unabashedly. I could come down at any time. That would be the historian's descent into politics – a change that might have good and even noble reasons, yet would in any case entail a loss of freedom. Such is the role of the anarch, who remains free of all commitments yet can turn in any direction.”