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Quote by Shea Ernshaw

“I am Sally Skellington, the Pumpkin Queen." There is warmth in my chest now, heat and fury and anger. "But I was born in Dream Town." The words feel like their won conjuring, a spell, a ritual or bedtime riddle to cast things into the stars and make them true. I feel suddenly awake and alive, a woman who isn't simply a rag doll, but a ruler who has traveled to all the realms, even the human world, to set things right. Who feels a spark, a wrath growing inside her.”

Quote by Shea Ernshaw

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Long Live the Pumpkin Queen

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Shea Ernshaw

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“He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I'm certain they should just bury us both here, at the center of the graveyard. Married and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids. The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our feet as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart. I am now Sally Skellington. The Pumpkin Queen. And I'm certain I will never again be as happy as I am right now.”

“It feels like a fairy tale from one of those happily-ever-after books where the princess storms the castle, slays a goblin-dragon, and takes over the kingdom for herself. Except I am not golden-haired or fine-boned. I have no bones at all. I am a rag doll who married a skeleton king. A rag doll who woke from the impossible daydream and found herself in her own heroine story--a tale whose ending hasn't yet been written; but instead, is only just the beginning.”

“Fane and Jacque looked up from the table when they heard Sally's singing all through the cafeteria. She was belting out at the top of her lungs Train's "Meet Virginia". A very pissed off looking Jen was dragging her IV pole as quickly as she could without falling, trying to catch up to her quarry. By the time Sally had reached the table, she had tears “streaming down her face from laughing so hard. She leaned over the table, panting, finishing her serenade. "Her confidence is tragic, but her intuition magic, and the shape of her body, unusual, meet Virginia!" Sally ended dramatically, arms in the air like Vanna White indicating where Jen now stood. Much to Jen's chagrin the entire cafeteria broke into applause. Jen pasted on her most dazzling smile and waved at everyone adoringly, but to Sally she muttered under her breath, "This is war.”

“Kelly and I saw a future (otherwise known as the sixth grade) in which we would remain invisible and unchanged while around us other girls suddenly bloomed. In Kelly's version, the girls burst, blousy peonies after the first hot summer night. In mine, after seven days and seven nights of rain, these girls became dandelions while we remained green clumps of crabgrass. Kelly and I knew what we needed. Lips that looked pink, wet, and just licked. Sally Campbell's lips had started to look that way at the beginning of fifth grade. Sally was pretty, and pretty girls were always ahead of the rest of us. Sally's lips and also her mouth smelled of strawberry bubblegum. Kelly and I were jealous of both the shine and the scent. In order to make us feel better, I told Kelly that the word "Sally" tasted of pumpkins, without the brown sugar or the cinnamon. Just a squash. Sally, nonetheless, set the example for us. Lips that could be seen from across the classroom we understood were desirable, and gloss for them has to be our first acquisition. Kelly begged her mother, Beth Anne, and then resorted to a promise of future weight loss for a shade of pink called Flamingo Paradise, which Beth Anne picked out for her. Beth Anne, at the time, didn't pay attention to Kelly. Beth Anne completely ignored the fact that her only daughter had asked her for lip gloss, strawberry-bubblegum-flavored. Flamingo Paradise was lipstick, the kind that my grandmother Iris wore. It went on creamy but soon became cracked and dry. The only flavor it gave to our lips was something that also belonged to Iris: talcum powder mixed with a crushed vanilla cream wafer.”

“You still think I'm the same girl, don't you, Zero?" I ask as we make our way deeper into the woods, under the cover of starlight and swaying bare branches. Zero's nose glows brighter, and I run a hand along his pale ghost body. He is both solid and made of cool winter air, and sometimes I swear I can feel his ears beneath my palm, while other times my fingers pass right through. He is both here and not here. Alive and dead. And right now he feels like my only friend--the only one who thinks I'm unchanged. Made of the same linen and blue thread. Everyone else in Halloween Town seems to think I am someone entirely new--a girl with a royal title whose hair should be like the silken threads of a spider's web, with coffin-straight posture and a crown of feathers atop her head. But I am not these things.”

“Your father even wrote the first theories about daytime dreaming in this library." She smiles at Albert, a look of pride. "He invented daydreams, you know," she says, looking back to me. "A way for humans to dream up wild, unthinkable things right in the middle of the afternoon, without ever needing to go to sleep." I think back to my own daydreams, moments when I'd managed to lose myself in thought, especially in my old life: dreaming of a future with Jack, dreaming of who I might be if I ever escaped Dr. Finkelstein.”