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Quote by Meg Wolitzer

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The Female Persuasion

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Meg Wolitzer
Meg Wolitzer

Meg Wolitzer is an American author known for her nuanced psychological portrayals and complex portrayals of family relationships. Her works often explore the lives, careers, and personal growth of modern women. Her notable works include 'The Interestings' and 'The Wife'. more

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“Alex Roentgen stared at Jared, mildly incredulous. ::You actually need a reason to have an orgy?:: Jared began to respond, but Roentgen held up his hand. ::One, because we’ve been through the valley of the shadow of death and come through the other side. And there’s no better way to feel alive than this. And after the shit we’ve seen today, we need to get our minds off it right quick. Two, because as great as sex is, it’s even better when everyone you’re integrated with is doing it at the same time.::”

SexSexualityOrgy
Book:The Ghost Brigades
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“Our patients predict the culture by living out consciously what the masses of people are able to keep unconscious for the time being. The neurotic is cast by destiny into a Cassandra role. In vain does Cassandra, sitting on the steps of the palace at Mycenae when Agamemnon brings her back from Troy, cry, “Oh for the nightingale’s pure song and a fate like hers!” She knows, in her ill-starred life, that “the pain flooding the song of sorrow is [hers] alone,” and that she must predict the doom she sees will occur there. The Mycenaeans speak of her as mad, but they also believe she does speak the truth, and that she has a special power to anticipate events. Today, the person with psychological problems bears the burdens of the conflicts of the times in his blood, and is fated to predict in his actions and struggles the issues which will later erupt on all sides in the society. The first and clearest demonstration of this thesis is seen in the sexual problems which Freud found in his Victorian patients in the two decades before World War I. These sexual topics‒even down to the words‒were entirely denied and repressed by the accepted society at the time. But the problems burst violently forth into endemic form two decades later after World War II. In the 1920's, everybody was preoccupied with sex and its functions. Not by the furthest stretch of the imagination can anyone argue that Freud "caused" this emergence. He rather reflected and interpreted, through the data revealed by his patients, the underlying conflicts of the society, which the “normal” members could and did succeed in repressing for the time being. Neurotic problems are the language of the unconscious emerging into social awareness. A second, more minor example is seen in the great amount of hostility which was found in patients in the 1930's. This was written about by Horney, among others, and it emerged more broadly and openly as a conscious phenomenon in our society a decade later. A third major example may be seen in the problem of anxiety. In the late 1930's and early 1940's, some therapists, including myself, were impressed by the fact that in many of our patients anxiety was appearing not merely as a symptom of repression or pathology, but as a generalized character state. My research on anxiety, and that of Hobart Mowrer and others, began in the early 1940's. In those days very little concern had been shown in this country for anxiety other than as a symptom of pathology. I recall arguing in the late 1940's, in my doctoral orals, for the concept of normal anxiety, and my professors heard me with respectful silence but with considerable frowning. Predictive as the artists are, the poet W. H. Auden published his Age of Anxiety in 1947, and just after that Bernstein wrote his symphony on that theme. Camus was then writing (1947) about this “century of fear,” and Kafka already had created powerful vignettes of the coming age of anxiety in his novels, most of them as yet untranslated. The formulations of the scientific establishment, as is normal, lagged behind what our patients were trying to tell us. Thus, at the annual convention of the American Psychopathological Association in 1949 on the theme “Anxiety,” the concept of normal anxiety, presented in a paper by me, was still denied by most of the psychiatrists and psychologists present. But in the 1950's a radical change became evident; everyone was talking about anxiety and there were conferences on the problem on every hand. Now the concept of "normal" anxiety gradually became accepted in the psychiatric literature. Everybody, normal as well as neurotic, seemed aware that he was living in the “age of anxiety.” What had been presented by the artists and had appeared in our patients in the late 30's and 40's was now endemic in the land.”

SexPsychologyAnxietyExistential Psychology
Book:Love and will
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“Lorenzo steps closer, his body a breath away from mine as he whispers, "Trust me?" I have no idea what he's asking, but I nod because what else am I gonna do? We're about to go to dinner and pretend like we're happy newlyweds with someone who could blow up my entire social circle, and likely my professional life, with a single well-placed word. Lorenzo walks me backward until my back hits the wall. I gasp, surprised. But he's not done. "Trust me," he orders softly. And with that, he picks me to straddle him and slams my back against the door with a thump. It rattles loudly behind me. "Fuck, Abigail, Quick, mia rosa. Come on my cock before your friends get here or they're going to hear me fucking you deep and hard. I want your cum on me and my cum in you while we sit at this prim and proper dinner, wife." I gasp, both at his filthy talk and the ridge of his cock pressing against my core. "Ungh." I can't make words, am barely making incoherent sounds, and Lorenzo lifts one hand from my thigh to hold my head still. He meets my eyes, one of his brows lifted pointedly. If I couldn't feel his cock, I wouldn't even know what this is doing to him. For all the fire rushing through my body and turning my brain to melted goo, he's clear-eyed and has a plan. I blink and realize what he's doing. Emily needs to think we're newlyweds, and what do newlyweds do non-stop? Fuck. Now that I've caught on, he winks at me and I smile back. He thrusts against me and I bounce on the door. "Yes, hard ... just like that," I moan. He grunts, finding a pace that is actually doing a lot for me even though I just came in the shower a bit ago. I'd be embarrassed at the wet heat of my core, but his cock jumps against me. I like that he's carried away too as he dry humps me, only hinting at what we're playacting. "Take it. Take me, Abigail," he hisses through clenched teeth. Is that for effect or is he holding the reins that tightly? "Yes, my Italian Stallion!" I cry out, clawing at his shoulders for purchase. Confusion mars his face as he mouths, "Italian Stallion?" I shake me head and whisper back, "I don't know, it just came out." He grins like that's the funniest thing he's ever heard and goes back to thrusting against me with renewed furor. "That's it, mia rosa. Are you going to come for me?" Oh shit. I am. Like I am ... for real. Any sane, rational, reasonable person would tilt their hips and move away from the power of his thrusts to save a little face. Do I? Absolutely not. If anything, I'm humping him back, riding him like the pony at my sixteenth birthday party. Don't laugh ... it was an amazing blowout. Like I'm about to have ... "Yes, yes. Right there Lorenz-ohh!" He pulls me tight against him, his cock grinding against my clit as he grunts through several short strokes and says something I don't understand in Italian. Is he? Did he? As I float back to Earth and realize what just happened, there's another knock on the door. This one is harder and louder. "Hey, Abi! We have reservations, you know?" Emily yells through the wood, literally inches away from where I just loudly came on Lorenzo's cock for real.”

RealSexFakeOrgasm
Book:My Big Fat Fake Honeymoon
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“Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep”

HappinessAt One
Author:Willa Cather
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