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“Against those who are indebted to the allegorical utopian model and its offshoots, the Memory Palace proves that alternatives to the tribal consensus exists. Furthermore, this alternative is a leap away, is deeply discontinuous with the allegorists' endless internal struggles for refinement. It promises not quite freedom but the fact that a careful look at history as achievement rather than ruination offers solid evidence that the allegorical utopian has about it no necessity at all.” — Paul A. Bové
Against those who are indebted to the allegorical utopian model and its offshoots, the Memory Palace proves that alternatives to the tribal consensus exists. Furthermore, this alternative is a leap away, is deeply discontinuous with the allegorists' endless internal struggles for refinement. It promises not quite freedom but the fact that a careful look at history as achievement rather than ruination offers solid evidence that the allegorical utopian has about it no necessity at all.