“Against those who are indebted to the allegorical utopian model and its offshoots, the Memory Palace proves that alternatives to the tribal consensus exists. Furthermore, this alternative is a leap away, is deeply discontinuous with the allegorists' endless internal struggles for refinement. It promises not quite freedom but the fact that a careful look at history as achievement rather than ruination offers solid evidence that the allegorical utopian has about it no necessity at all.”
Book:Love’s Shadow