“It thus became almost impossible to have one's music heard without first being profitable, in other words, without writing commercial works known to the bourgeoisie. To be successful, a musician first had to attract an audience as an interpreter: representation takes precedence over composition and conditions it. The only authorized composers were successful interpreters of the works of others.”
Quote by Jacques Attali
Work
Noise: The Political Economy of Music
This book delves into the economic and political dynamics that shape the music industry, examining the interplay between artists, producers, and consumers. more
Author
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