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Shadow Touched

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erin kellison

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“Why do they all have such unfortunate names? First Parthenope Fleet. Now Undine Trevelyan. Why do we never meet a Mary Smith I should like, just once, to meet a Mary Smith." "What sort of interesting things would ever befall a Mary Smith?" I demanded. "Who would stab or poison or garotte a Mary Smith? It is unthinkable." "Not everyone of our acquaintance needs be murdered, Veronica. In fact, some people find it preferable to make friends with normal folk." "How very depressing." I said, sipping again. "I pity them their small lives.”

“A "matriarchal world" does not mean matrilineal or that one queen shall rule the world. It simply means "a world in which a Mother's Heart leads all social institutions, corporations, and governments." All humans-men, women, or transgender-can embody a mother's heart if they so choose. We are destined for extinction as a human race unless a mother's heart assumes leadership of the world.”

“Stayed on, and became the Cymri. What if we're all Jews, you see? all scattered like seeds? still flying outward from the primal fist so long ago. Man, I believe that.' 'Of course you do, Gwenhidwy.' ¶ 'Aren't we then? What about you?' ¶ 'I don't know. I don't feel Jewish today.' ¶ 'I meant flying outward?' He means alone and forever separate: Pointsman knows what he means.”

“Bad horror stories concern themselves with six ways to kill a vampire, and graphic accounts of how the rats ate Billy's genitalia. Good horror stories are about larger things. About hope and despair. About love and hatred, lust and jealousy. About friendship and adolescence and sexuality and rage, loneliness and alienation and psychosis, courage and cowardice, the human mind and body and spirit under stress and in agony, the human heart in unending conflict with itself. Good horror stories make us look at our reflections in dark distorting mirrors, where we glimpse things that disturb us, things that we did not really want to look at. Horror looks into the shadows of the human soul, at the fears and rages that live within us all. But darkness is meaningless without light, and horror is pointless without beauty. The best horror stories are stories first and horror second, and however much they scare us, they do more than that as well. They have room in them for laughter as well as screams, for triumph and tenderness as well as tragedy. They concern themselves not simply with fear, but with life in all its infinite variety, with love and death and birth and hope and lust and transcendence, with the whole range of experiences and emotions that make up the human condition. Their characters are people, people who linger in our imagination, people like those around us, people who do not exist solely to be the objects of violent slaughter in chapter four. The best horror stories tell us truths.”