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Nitya Prakash

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“The last summer of his life he sat hours together on the old chintz-covered swing-bed in front of the willow tree, chain-smoking Woodbines and watching the shadows flood the lawn until they swallowed him and only the tip of his ciggarette still showed, a faint red pulse. How she had longed to bring him in, to rescue him as he had rescued his sergeant. Her mother wasn't up to it, sitting all day in the kitchen listening to Alma Cogan and Ronnie Hilton on the wireless, biting her nails until they bled. So, it was she who had gone, crossing the lawn at dusk to stand in front of him, waiting for the right words to come into her head, for a dove that would bring her the gift of speech. But nothing came, and he had gazed at her through the smoke of his ciggarette as though from the far side of a pane of glass. He felt sorry for her perhaps, knowing why she had come out, knowing the impossibility of it. But instead of saying, sit down beside me Alice, sit down, daughter, and we will try to understand together the unbearable truth that love is not always enough, that people cannot always be brought back in, he had said, very conservatively, as though in reference to a discussion he had been having with her in his head for weeks, 'They used flame-throwers, you know'. And she had nodded, yes, Daddy, and left him, and gone to her room, and pushed her face into the pillow and bawled. Because she should have done it, should have, and she had failed.”

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