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Little Creatures: An Introduction to Classical Music

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Ana Gerhard

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“Natural selection,” in the Darwinian sense, could not explain the miraculous coincidence of imitative aspect and imitative behavior, nor could one appeal to the theory of “the struggle for life” when a protective device was carried to a point of mimetic subtlety, exuberance, and luxury far in excess of a predator’s power of appreciation. I discovered in nature the nonutilitarian delights that I sought in art. Both were a form of magic, both were a game of intricate enchantment and deception.”

“Oggi went to his mother's rose garden and gathered a collection of fallen petals and leaves. When his hands were full he carried them back to Alice and placed them on the dirt around her. Back and forth he went, between the rose garden and Alice, until his circle was complete. He jumped inside it and sat down. 'After my dad died I did this to make myself feel better.' Oggi wrapped his arms around his knees. 'I told myself, anything inside the circle is safe from sadness. I'd make the circle as big or as little as I'd like. Once when Mum wouldn't stop crying I made a circle around the whole house. Except I had to use all of the petals on her roses to do that, and she didn't react the way I thought she would.' Yellow butterflies fluttered over the roses. As Alice watched their wings, tiny lemon flames, she remembered how they hovered over the sea in summer, basked in the casuarina trees, and tapped against her bedroom window at night.”