Quotessence
Home / Quotes / Quote by Mick LaSalle

Quote by Mick LaSalle

“Hollywood’s motives in marketing sex may have been cynical—Hollywood’s motives always are. But in providing audiences with sophisticated fare, it was also responding to real cultural changes that had happened within American society. Hollywood was a few years behind the trend, of course, but that’s nothing new. Don’t forget, this is the same industry that for seventy years has made wonderful, passionate, stirring anti-war movies six or seven years after every war, never during one.”

Quote by Mick LaSalle

Work

Complicated Women: Sex and Power in Pre-Code Hollywood

This book delves into the complex representations of women in the early 20th century film industry, analyzing how the era's relaxed censorship allowed for more nuanced and controversial portrayals of gender relations and societal norms. more

Author

Mick LaSalle
Mick LaSalle

Mick LaSalle, born on May 7, 1959, is a renowned film critic. His career began at the San Francisco Chronicle, where he served as a film columnist. LaSalle is known for his in-depth film analysis and unique perspectives, which have had a profound impact on the film industry. more

You May Also Like

“Me: “I refuse to attend Support Group.” Mom: “One of the symptoms of depression is disinterest in activities.” Me: “Please just let me watch America’s Next Top Model. It’s an activity.” Mom: “Television is a passivity.” Me: “Ugh, Mom, please.” Mom: “Hazel, you’re a teenager. You’re not a little kid anymore. You need to make friends, get out of the house, and live your life.” Me: “If you want me to be a teenager, don’t send me to Support Group. Buy me a fake ID so I can go to clubs, drink vodka, and take pot.” Mom: “You don’t take pot, for starters.” Me: “See, that’s the kind of thing I’d know if you got me a fake ID.” Mom: “You’re going to Support Group.” Me: “UGGGGGGGGGGGGG.” Mom: “Hazel, you deserve a life.”

“The share-and-share-alike anti-establishment ethos of the Topanga Canyon Hollywood hippie entertainment class of the late sixties was what Dennis Wilson offered these ragmuffins. However, pretty quickly, these garbage-eating, acid-tripping, clap-ridden, singsong-sounding runaways proved themselves to be a bunch of freeloading ingrates. They wrecked Wilson's pad and cost him thousands of dollars in venereal-disease medicine and lost, stolen, and damaged property. Until, finally, Wilson just moved out of the house and left it to his business manager to evict the squalid squatters.”

“Michael Eisner observes that “Hollywood is a microcosm of the world. There’s a group of ethical people, serious, eager to work. Then there’s the underbelly, and the seedy part of that group, the people who supply the underbelly. There are the struggling runaways, the prostitutes—male and female—the dregs of the earth. The vultures. They take the low road. They may wear suits, be articulate…” He trails off.”