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Quote by J. A. de (Jean André) Luc

“According to the conclusion of Dr. Hutton, and of many other geologists, our continents are of definite antiquity, they have been peopled we know not how, and mankind are wholly unacquainted with their origin.”

Quote by J. A. de (Jean André) Luc

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J. A. de (Jean André) Luc

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“Looking at him she felt she knew what the people of antiquity had been like. Thirty centuries or more were effaced, and there he was, the alert and predatory sub-human, further from what she believed man should be like than the naked savage, because the savage was tractable, while this creature, wearing the armor of his own rigid barbaric culture, consciously defied progress. And that was what Stenham saw, too; to him the boy was a perfect symbol of human backwardness, and excited his praise precisely because he was “pure”: there was no room in his personality for anything that mankind had not already fully developed long ago. To him he was a consolation, a living proof that today’s triumph was not yet total; he personified Stenham’s infantile hope that time might still be halted and man sent back to his origins.”

ProgressCivilizationColonialismAntiquityHuman DevelopmentWestern CivilizationBoyhoodInfantileOriginsCultural HegemonyDomesticationFrench Morocco
Book:The Spider's House
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“His concept of allochrony - initially introduced shyly as 'untimeliness', then later radicalized to an exit from modernity - is based on the idea, as suggestive as it is fantastic, that antiquity has no need of repetitions enacted in subsequent periods, because it 'essentially' returns constantly on its own strength. In other words, antiquity - or the ancient - is not an overcome phase of cultural development that is only represented in the collective memory and can be summoned by the wilfulness of education. It is rather a kind of constant present - a depth time, a nature time, a time of being - that continues underneath the theatre of memory and innovation that occupies cultural time.”

TimeAncientModernityAntiquityFriedrich NietzscheAllochronyCultural Time
Book:Du mußt dein Leben ändern
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“The ascetic planet he sights is the planet of the practising as a whole, the planet of advanced-civilized humans, the planet of those who have begun to give their existence forms and contents under vertical tensions in countless programmes of effort, some more and some less strictly coded. When Nietzsche speaks of the ascetic planet, it is not because he would rather have been born on a more relaxed star. His antiquity-instinct tells him that every heavenly body worth inhabiting must - correctly understood - be an ascetic planet inhabited by the practising, the aspiring and the virtuosos. What is antiquity for him but the code word for the age in which humans had to become strong enough for a sacred-imperial image of the whole? Inherent in the great worldviews of antiquity was the intention of showing mortals how they could live in harmony with the 'universe', even and especially when that whole showed them its baffling side, its lack of consideration for individuals.”

AntiquityNietzscheAsceticismFriedrich NietzschePractisingAscetics
Book:Du mußt dein Leben ändern
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“The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards.”

AntiquityNietzscheAsceticismFriedrich NietzscheAscetics
Book:Du mußt dein Leben ändern
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“Educated and ambitious, with their own forthright opinions, the women of the Garvey set did more to determine political direction than many councillors. Their involvement in public life and political machinations was such that the Shylonian ambassador was able to report, to his monarch, that the women of the Garvey clique were ‘politicians first, homemakers second.”

PoliticsWomen EmpowermentAntiquityWomen Power
Book:Crowns Of Amara: The Return Of The Oracle
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