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Quote by Amy Reed

“There is a picture of me in their heads, a picture of someone I don't know yet. She is not the chubby girl with the braces and bad perm. She is not the girl hiding in the bathroom at recess. She is someone new, a blank slate they have named beautiful. That is what I am now: beautiful, with this new body and face and hair and clothes. Beautiful, with this erasing of history.”

Quote by Amy Reed

Book:Beautiful
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Beautiful

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Amy Reed

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“Everyday in my office I meet consumers of the modern ideology of marriage. They bought the product, got it home, and found that it was missing a few pieces. So they come to the repair shop to fix it so it looks like what's on the box. They take their relational aspirations as a given－both what they want and what they deserve to have－and are upset when the romantic ideal doesn't jibe with the unromantic reality. It's no surprise that this utopian vision is gathering a growing army of the disenchanted in its wake.”

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Book:The State of Affairs: Rethinking Infidelity
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“I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it 
will be. I want it to have not a graceful curve slightly bent toward evening but a hitherto unseen beauty 
lovely because of the danger which works away at it overwhelms it undermines it. Oh let me be only utter
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casings will burn away and one evening I shall appear there in the palm of your hand quiet and pure like a
 glass statuette. You will see me. Round about me there will be nothing left.”

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Book:The thief's journal
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“Le serpent qui danse Que j'aime voir, chère indolente, De ton corps si beau, Comme une étoffe vacillante, Miroiter la peau! Sur ta chevelure profonde Aux acres parfums, Mer odorante et vagabonde Aux flots bleus et bruns, Comme un navire qui s'éveille Au vent du matin, Mon âme rêveuse appareille Pour un ciel lointain. Tes yeux où rien ne se révèle De doux ni d'amer, Sont deux bijoux froids où se mêlent L’or avec le fer. A te voir marcher en cadence, Belle d'abandon, On dirait un serpent qui danse Au bout d'un bâton. Sous le fardeau de ta paresse Ta tête d'enfant Se balance avec la mollesse D’un jeune éléphant, Et ton corps se penche et s'allonge Comme un fin vaisseau Qui roule bord sur bord et plonge Ses vergues dans l'eau. Comme un flot grossi par la fonte Des glaciers grondants, Quand l'eau de ta bouche remonte Au bord de tes dents, Je crois boire un vin de bohême, Amer et vainqueur, Un ciel liquide qui parsème D’étoiles mon coeur!”

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Book:Les Fleurs Du Mal
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“I don't know. I mean, it's not all beautifully harmonic, this world we find ourselves in. Clearly. There's shit music, and sometimes the melody goes away completely. There's silence and dissonant chord that cringe your ears. But the synchronicity of a perfectly created chorus? And the fact that you never know when one is coming? And that amazing feeling, the first time you hear a song and now it's going to be with you forever? I have to think that's worth everything.”

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Book:The Music of What Happens
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“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression.”

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Book:War and Peace
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“Oh, Mr. Cuthbert," she whispered, that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments' profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name?”

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Book:Anne of Green Gables
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