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O Pintor Debaixo do Lava-Loiças

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Afonso Cruz

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“When earth is called the wife of Odin, the mother of Thor, when wind is styled the son of Fornjót and the sea is conceived as Ran, the wife of Ægir, the myths are not anthropomorphism or personification in the modern and Alexandrian sense. Human-likeness is joined to the other qualities of natural phenomena or, more truly expressed, human appearance enters as a quality among other qualities into the soul of earth, wind and sea, but it does not in the least interfere with the impersonal workings of the forces of nature. There is no contradiction between subject and verb in the scald's description of the winter gales: “Fornjót's Sons began to whirl,” nor is there really any breach of common-sense in a storm scene such as this: “The gusts carded and twined the storm-glad daughters of Ægir.” The moon gives birth, the earth is a mother, stones bring young into the world, and that is to say that these beings beget, conceive and are delivered, for thus all procreation takes place under the sun. But this does not imply that earth must transform itself to a human being and seek a couch to bring forth its children. The little we know as to our forefathers' practical relations with the world about them indicates, as will soon appear, that they did not appeal to the objects of nature as pseudo-personalities; like their primitive brethren all over the world, they tried to win the friendship and power of animals and trees and stones by much surer means. When the poet lets Frigg send messengers about to fire and water, iron and all kinds of ore, to stones, earth, trees, sicknesses, beasts, birds, to get them to swear they will never harm Balder, he has plainly no idea in his mind of such messengers going out to knock at the doors of nymphs and demons; his hearers must have been familiar with a method of appealing directly to the things themselves, to the souls.”

SoulMythologyThorOdinHeathenry
Book:The Culture of the Teutons: Volumes 1 and 2
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“Self love is not as difficult a discovery as some folks will conjecture. Muting the ego's clamourous influence over the conscience. This could be the support 'self' needs to begin-to-understand' that a Divine Creator had them in mind before building their flesh brain around the soul's spirit body, purely out of a love that pre-existed prior to that of ones existence. That love was magnificently demonstrated in the hybrid spirit-to-flesh-body-back to Spiritual Saviour who purpose in introduction, activity and prophetic discourse documentation, rejection turned persecution, crucifixion and Divine Spirit Resurrection to regain proper origin in (complete soul) relationship back to each living human being. Love went through all of that to restore us back to Supreme of absolute Love. To accept that truth brings light thru revelation which guides the spirit of oneself to change thoughts from dark external influences that make us not love ourselves. How can you sp easily reject yourself against the the existence of a Love Creator that "loved" you into life, and paid an extreme price with His hybrid life to powerfully save yours back to him, from which you came. Don't get lost in the deep details. Get LOVED!”

LoveLifeSoulGodSpiritSelf LoveJesus ChristSelf WorthRejectionSelf Acceptance
Author:Tracey Bond
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“By virtue of his dominance over nature, man can also combine souls, and engraft the essence of one upon another. Thus he inspires that which his hands have worked on, and equips his implements with qualities calculated to render them useful in their calling. When be fastens a bunch of feathers to his arrow, he gives its flight the accuracy of a bird, perhaps also something of a bird's force in swooping on its prey; as surely as he gives himself a touch of birdnature by fastening feathers about his body. Or he may, in the strength of his artistic faculty, content himself with a presentment of nature. He chisels a serpent on his sword, lays “a blood-painted worm along the edge” so that it “winds its tail about the neck of the sword”, and then lets the sword “bite”. Or be may use another form of art, he can “sing” a certain nature into his weapon. He tempers it in the fire, forges it with art and craft, whets it, ornaments it, and “lays on it the word” that it shall be a serpent to bite, a fire to eat its way. So also he builds his ship with the experience of a shipbuilder, paints it, sets perhaps a beast at the prow, and commands that it shall tread sure-footed as a horse upon the water. Naturally, the mere words are not enough, if there is no luck in them; they take effect only if the speaker can make them whole. How he contrives to accomplish this is a question too deep to enter into here, but as we learn to know him, we may perhaps seize upon one little secret after another.”

SoulSpiritNatureHeathenry
Book:The Culture of the Teutons: Volumes 1 and 2
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“Through innumerable kinships, natures are knit together this way and that, until the world hangs in a web of frith. So man draws souls into his circle. For the present age, the war-cry is: rule. Be master of the earth, subdue creation is the watch-word running through our time, and it looks as if this commandment sympathetically strikes the heart-note of our culture and ever sets the pace not only for its actions but also for its speculations. All hypotheses anent past ages in the history of our race hinge on the assumption that man has made his way through an everlasting battle, and that civilization is the outcome of man's struggle for existence. But modern civilization with its cry for mastery and its view of life as a continuous strife is too narrow a base for hypotheses to make history intelligible. The evolutionary theory of an all-embracing struggle for food and survival is only an ætiological myth, as the ethnologists have it, a simple contrivance to explain modern European civilization by throwing our history, its competition and its exclusive interest in material progress back on the screen of the past. When ancient and primitive cultures are presented in the light of modern economical problems, all the proportions and perspectives are disturbed; some aspects are thrown into relief, other aspects are pushed into the shade, without regard to the harmony inherent in the moral and intellectual life of other peoples; and the view as a whole is far more falsified by such capricious playing of searchlights than by any wilful distorting of facts.”

SoulNatureKinshipHeathenryFrith
Book:The Culture of the Teutons: Volumes 1 and 2
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“The key-note of ancient culture is not conflict, neither is it mastery, but conciliation and friendship. Man strives to make peace with the animals, the trees and the powers that be, or deeper still, he wants to draw them into himself and make them kin of his kin, till he is unable to draw a fast line between his own life and that of the surrounding nature. Culture is too complex — and we may add too unprofitable — a thing to be explained by man's toil for the exigencies and sweets of life, and the play of his intellect and imagination has never —until recent times perhaps — been dominated by the quest of food or clothing. The struggle for daily bread and for the maintenance of life until the morrow is generally a very keen one in early society, and it seems that the exertion calls for the exercise of all faculties and powers. But as a creature struggling for food, man is a poor economist; at any rate he is a bad hand at limiting his expenditure of energy to the needs of the day. There is more than exertion in his work; there is an overshooting force, evidence that the energy which drives him is something more complex than the mere instinct of existence. He is urged on by an irresistible impulse to take up the whole of nature in himself, to make it, by his active sympathy, something human, to make it heore.”

SoulSpiritCultureNatureConflictKinshipHeathen
Book:The Culture of the Teutons: Volumes 1 and 2
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“Primitive man has never been able to limit his needs to what is strictly necessary. His friendships among the souls are not confined to the creatures that are useful to his body or dangerous to his life. When we see how man in his poetry, his myths and legends creates an imaginative counterpart of his surroundings, how he arranges his ceremonial life, at times indeed his whole life, according to the heavens and their movement, how at his festivals he dramatizes the whole creation of his limited world through a long series of ritual scenes, we gain some idea how important it was to him to underpin his spiritual existence. His circle of friends spans from the high lights of heaven to the worm burrowing in the soil; it includes not only the bug that may be good to eat, but also innocuous insects that never entered into his list of delicacies; it comprises not only the venomous snake, but also harmless crawling things that have no claim on his interest save from the fact of their belonging to his country.”

SoulSpiritNaturePrimitive
Book:The Culture of the Teutons: Volumes 1 and 2
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“The soul is called hugr, Anglo-Saxon hygi, thereby indicating it as desire and inclination, as courage and thought. It inspires a man's behaviour, his actions and his speech are characterised according to whether they proceed out of whole hugr, bold hugr, or downcast hugr. It resides in him and urges him on; thus ends Loki when he has said his say among the gods: “Now I have spoken that which my hugr urged me to say,” thus also Sigurd when he has slain the serpent: “My hugr urged me to it.” It sits within, giving counsel or warning; “my hugr tells me,” is a weighty argument, for when the hugr has told a thing, the matter is pretty well settled. “He seems to me unreliable, you will see he will soon turn the evil side outward; it is against my will that he is with you, for my hugr tells me evil about him,” thus Ingolf exhorts his brother to turn away a vagabond who comes to the place. A winter passed, and Ingolf could say that all had fallen out as his hugr had warned him. And Atli Hasteinson, of noble race, confidently gives directions to his household after the fight with Hrafn: “You, my son, will avenge your father, if you take after your kin, and my hugr tells me you will become a famous man, and your children after you.” And when the hugr is uneasy, as when one can say with Gudrun: “Long I hesitated, long were my hugrs divided in me,” then life is not healthy. But when a man has followed the good counsel from within, and attained his end, then there rises from his soul a shout of triumph, it is his hugr laughing in his breast.— Now and again, the soul has its knowledge directly, as we should say; at times it has acquired it by spying out the land, and then it may chance that the enemy has seen his opponent's hugr coming towards him, whether in human form or in the shape of a beast. He dreams of wolves, and is told that it is the hugrs of men he has seen.”

MindSoulSpiritHeathenryHugr
Book:The Culture of the Teutons: Volumes 1 and 2
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