Quotessence
Home / Quotes / Quote by Anna Katharine Green

Quote by Anna Katharine Green

“You have said that if I declared my innocence you would believe me,” she exclaimed, lifting her head as I entered. “See here,” and laying her cheek against the pallid brow of her dead benefactor, she kissed the clay-cold lips softly, wildly, agonisedly, then, leaping to her feet, cried, in a subdued but thrilling tone: “Could I do that if I were guilty? Would not the breath freeze on my lips, the blood congeal in my veins, and my heart faint at this contact?”

Quote by Anna Katharine Green

Work

The Leavenworth Case

This novel is renowned for its compelling narrative and the intricate web of deceit it weaves. The protagonist, a skilled detective, navigates through a series of mysterious events surrounding a high-profile murder case in Leavenworth. The story is praised for its suspenseful atmosphere and the depth of its psychological insights. more

Author

Anna Katharine Green
Anna Katharine Green

Anna Katharine Green was an American poet born on November 11, 1846, and passed away on April 11, 1935. Her poetry is known for its unique style and profound emotions, making a significant impact on the American poetry scene. more

You May Also Like

“1948: The Best Years of Our Lives. The characters in the film have retained a candour towards - and naive faith in - their feelings which we no longer possess. Our feelings, which we delightfully term emotions in order to salvage the fiction of an emotional life, are not affects any more, merely a psychological affectation, having lost all credence in our eyes. Or, alternatively, they are conversion emotions, betraying the melodrama going on in the body rather than the nuances of the soul. We do not even have this candour in our relations to our dreams, where we grapple with their interpretation, their splitting, their ironic reflexes. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. It knows only how to parody itself affectedly, and has veered towards psychodrama or visual melodrama. Retrospectively, these were then, also, the 'Best Years' of cinema.”